Travels in Central Asia: Being the Account of a Journey from Teheran Across the Turkoman Desert on the Eastern Shore of the Caspian to Khiva, Bokhara, and SamarcandVámbéry, Ármin
History
Travels in Central Asia: Being the Account of a Journey from Teheran Across the Turkoman Desert on the Eastern Shore of the Caspian to Khiva, Bokhara, and Samarcand
Vámbéry, Ármin
Asia, Central -- Description and travel; Vámbéry, Ármin, 1832-1913 -- Travel -- Asia, Central
The poor camels, some of them laden with very heavy burdens, suffered
exceedingly--the dry sand giving way under their feet; so that having
continually to mount and descend, they could hardly get a firm
footing. It is remarkable that it is the custom here to fasten their
annuals with a cord, one end of which is attached to the tail of the
creature that precedes, the other to the {97} perforated nose of the
one that follows; and it is very painful to see how, as they are all
so bound together, if one of the beasts in the line stands still a
moment, the line in front continues to move on till the cord is torn
away from the animal behind, who suffers thereby dreadful torture. To
spare the poor animals we all dismounted where the route was bad, as
to-day; and although my sufferings were great in the deep sand, I was
forced to walk on foot four hours, although slowly, still without a
halt. Plodding on thus, I several times came in contact with the
Kervanbashi, who, after my last spirited conduct, loaded me with
politeness; his nephew, a young frank-hearted Turkoman from Khiva,
seemed to be particularly fond of my society. He had not seen his
young wife since the year before, and his conversation always turned
upon his Ova (tent), as the rules of Islamite politeness obliged him
to name the object of his affections. [Footnote 21] Khali Mollah
(this was his name) reposed the fullest confidence in my character as
a Dervish. I was very much surprised when he requested me to search in
my Koran a Fal or prognostic regarding his family. I made the usual
hocus pocus, shut my eyes, and fortunately opened the book at a place
where women are spoken of (for the passages Mumenin and Mumenat
frequently recur), in which my explanation of the Arabian text--for
here is the whole art--enchanted the young Turkoman. He thanked me,
and I was delighted to find that I had won his friendship.
[Footnote 21: According to the precepts of Islam, it is very
unbecoming to speak of one's wife, metaphors are used to express the
idea, where the whole is taken to designate the part (_totum pro
parte_). Accordingly, the Turk in society names his wife Harem,
_Familia_; Tcholuk Tschodjuck; the Persian terms her Khane or Ayal ü
avlad, the former expression meaning house, the latter wife's child;
the Turkoman, Ova; the central Asiatic, Balachaka, meaning
children.]
{98}
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