"Soon after we came in, the Emperor sent for Sir George Staunton and me to attend him, and told us, with great condescension of manner, that we ought not to be surprised to see a man of his age at the theatre, for that he seldom came there except upon a very particular occasion like the present, for that, considering the extent of his dominions and the number of his subjects, he could spare but little time for such amusements. I endeavoured, in the turn of my answer, to lead him towards the subject of my embassy, but he seemed not disposed to enter into it farther than by delivering me a little box of old japan, in the bottom of which were some pieces of agate and other stones much valued by the Chinese and Tartars; and at the top a small book written and painted by his own hand, which he desired me to present to the king my master as a token of his friendship saying, that the old box had been 800 years in his family. He, at the same time, gave me a book for myself also written and painted by him, together with several purses for Areca nut. He likewise gave a purse of the same sort to Sir George Staunton, and sent some small presents to the other gentlemen of the embassy. After this several pieces of silk or porcelain, but seemingly of no great value, were distributed among the Tartar princes and chief courtiers, who appeared to receive them with every possible demonstration of humility and gratitude. "The theatrical entertainments consisted of great variety, both tragical and comical; several distinct pieces were acted in succession, though without any apparent connexion with one another. Some of them were historical, and others of pure fancy, partly in _recitativo_, partly in singing, and partly in plain speaking, without any accompaniment of instrumental music, but abounding in battles, murders, and most of the usual incidents of the drama. Last of all was the grand pantomime which, from the approbation it met with, is, I presume, considered as a first-rate effort of invention and ingenuity. It seemed to me, as far as I could comprehend it, to represent the marriage of the ocean and the earth. The latter exhibited her various riches and productions, dragons, and elephants, and tygers, and eagles, and ostriches, oaks and pines, and other trees of different kinds. The ocean was not behind hand, but poured forth on the stage the wealth of his dominions, under the figures of whales and dolphins, porpesses and leviathans, and other sea monsters, besides ships, rocks, shells, spunges, and corals, all performed by concealed actors, who were quite perfect in their parts, and performed their characters to admiration. These two marine and land regiments, after separately parading in a circular procession for a considerable time, at last joined together and, forming one body, came to the front of the stage when, after a few evolutions, they opened to the right and left, to give room for the whale, who seemed to be the