An eclipse of the moon happening on the fourth of February gave occasion to the Embassadors to enjoy a little rest at home, though they were summoned to attend the palace at a very early hour in the morning. The Emperor and his mandarins were engaged the whole day in devoutly praying the gods that the moon might not be eaten up by the great dragon that was hovering about her. Recovered from their apprehensions, an entertainment was given the following day, at which the Embassadors were required to be present. After a number of juggling tricks and infantine sports, a pantomime, intended to be an exhibition of the battle of the dragon and the moon, was represented before the full court. In this engagement two or three hundred priests, bearing lanterns suspended at the ends of long sticks, performed a variety of evolutions, dancing and capering about, sometimes over the plain, and then over chairs and tables, affording to his Imperial Majesty and to his courtiers the greatest pleasure and satisfaction. On the fifteenth of February the Dutch Embassadors left Pekin, having remained there thirty-six days, during which they were scarcely allowed to have a single day's rest, but were obliged, at the most unseasonable hours, in the depth of winter, when the thermometer was seldom higher than 10 or 12 degrees below the freezing point, to dance attendance upon the Emperor and the great officers of state, whenever they might think fit to call upon them; and to submit to the degrading ceremony of knocking the head nine times against the ground, at least on thirty different occasions, and without having the satisfaction of gaining by this unconditional compliance any one earthly thing, beyond a compliment from the Emperor, _that they went through their prostrations to admiration_! And they were finally obliged to leave the capital without being once allowed to speak on any kind of business, or even asked a single question as to the nature of their mission, which, indeed, the Chinese were determined to take for granted was purely complimentary to their great Emperor. The manuscript I quote from describes minutely all the pantomimic performances, the tricks of conjurors and jugglers, and the feats of posture-masters, but as they seem to be pretty much of the same kind as were exhibited before the British Embassy in Tartary, as described by Lord Macartney, I forbear to relate them. Enough has been said to shew the taste of the court in this respect, and the state of the drama in China.