Travels in Kamtschatka, During the Years 1787 and 1788, Volume 1Lesseps, Jean-Baptiste-Barthélemy, baron de
History
Travels in Kamtschatka, During the Years 1787 and 1788, Volume 1
Lesseps, Jean-Baptiste-Barthélemy, baron de
Kamchatka Peninsula (Russia) -- Description and travel
The wind abated in the course of the morning, but the snow continued,
and the sky seemed to threaten us with a second tempest before the end
of the day. It began to rise about two o'clock in the afternoon, and
lasted till the evening.
To divert our attention, it was proposed to us to try the abilities
of a celebrated female dancer, who was a Kamtschadale, and lived in
this ostrog. The encomiums bestowed upon her excited our curiosity,
and we sent for her; but either from caprice or ill humour she refused
to dance, and paid no regard to our invitation. It was in vain they
represented that her refusal was disrespectful to the governor general;
no consideration could induce her to comply. Fortunately we had some
brandy by us, and a bumper or two seemed to effect a change in her
inclinations. At the same time Kamtschadale, at our request, began to
dance before her, challenging her by his voice and gestures. Gradually
her eyes sparkled, her countenance became convulsive, and her whole
frame shook upon the bench where she sat. To the enticements and shrill
song of the dancer, she answered in similar accents, beating time
with her head, which turned in every direction. The movements became
at last so rapid, that, no longer able to contain herself, she darted
from her seat, and in turn defied her man by cries and distortions
still more extravagant. It is not easy to express the absurdity of the
dance. All her limbs seemed to be disjointed; she moved them with equal
strength and agility; she tore her cloaths, and fixed her hands to her
bosom with a kind of rage as if she would tear it also. These singular
transports were accompanied with still more singular postures; and in
short, it was no longer a woman, but a fury. In her blind frenzy she
would have rushed into the fire that was kindled in the middle of the
room, if her husband had not taken the precaution of placing a bench
before it to prevent her: during the whole dance indeed he took care
to keep himself close to her. When he saw that her head was perfectly
gone, that she staggered on all sides, and could no longer support
herself without laying hold of her fellow dancer, he took her in his
arms and placed her upon a bench, where she fell, like an inanimate
clod, without consciousness, and out of breath. She continued five
minutes in this situation. Meanwhile the Kamtschadale, proud of his
triumph, continued to dance and to sing. Recovering from her swoon, the
woman heard him, and suddenly, in spite of her weakness, she raised
herself up, uttered some inarticulate sounds, and would have begun
again this laborious contest. Her husband kept her back and interceded
for her; but the conqueror, believing himself to be indefatigable,
continued his jeers and bantering, and we were obliged to exert our
authority to quiet him. In spite of the praises that were lavished
upon the talents of these actors, the scene, I confess, afforded me no
amusement, but on the contrary, considerable disgust.
Public-domain text, read in full here on John Shaqi.
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