the act of being slain, and Osiris, with uplifted arm, arresting the intended blow. This is the same group which is so often seen in the Egyptian temples; but, Briareus has here only two heads, and four arms, instead of the numerous heads and arms represented in Egypt. On the four pillars in front of the cella, variously dressed figures are sculptured, two generally together, taking each other by the hand. The Egyptian Mendes, or Priapus, is also repeatedly seen. The cella of the temple consists of an apartment thirteen paces square, which receives its light only through the principal gate, and a smaller one, on the side of it. Two rows of square pillars, three in each row, extend from the gate of the cella to the adytum: these pillars show the infancy of architecture, being mere square blocks, hewn out of the rock, without either base or capital; they are somewhat larger at the bottom than at the top. The inside walls of the cella, and its six pillars, are covered with mystic figures, in the usual style; they are of much ruder workmanship than any I have seen in Egypt. Some remains of colour prove that all these figures were originally painted. On one of the side walls of the cella, are five figures, in long robes, with shaven heads, carrying a boat upon their shoulders, the middle of which is also supported by a man with a lion’s skin upon his shoulder. In the posterior wall of the cella, is a door, with the winged globe over it, which leads into the small adytum, where the seats of four figures remain, cut out of the back wall.[22] On both sides of the adytum are small chambers, with private entrances into the cella; in one of which a deep excavation makes it probable that it was used as a sepulchre. On the side of the mountain, near the temple, are some sepulchral pits excavated out of the rocky ground: over two of them are the following inscriptions, which I copied: [Illustration]