Travels in southern Abyssinia, Volume 2 (of 2) : $b through the country of Adal to the kingdom of ShoaJohnston, Charles
History
Travels in southern Abyssinia, Volume 2 (of 2) : $b through the country of Adal to the kingdom of Shoa
Johnston, Charles
Ethiopia -- Description and travel; Shewa Kifle Hager (Ethiopia) -- Description and travel
When barley is employed for the purpose of brewing, it is first well
dried in the sun, and afterwards broken in a mortar to divest it in
some measure from the coarse outer skin, and which is separated by the
usual process of fining through a grass made sieve. The prepared grain
is then placed in a large earthenware saucer, at least two feet in
diameter, and in the centre about six inches deep. This being raised
upon three supports over a low fire, an attendant keeps stirring the
contents, using for this purpose the small reaping hook of the country,
the convex curve of which scrapes the barley from the bottom of the
saucer, and prevents its burning. Whilst this is going on, another
servant washes the jars intended to receive the ale, and which, after
being well rinsed out, are fumigated by a few leaves of the bitter
_gaisho_ plant, placed upon a little lighted charcoal, on a broken
piece of earthenware, and is introduced beneath the mouth of the
vessel, which is held over it to receive the ascending smoke.
_Gaisho_ are the leaves of a species of _Rhamnus_ indigenous to Shoa,
for besides being regularly cultivated in favourable situations between
six to eight thousand feet above the level of the sea, I have also
found it growing wild at the base of the hill of Kundi, above the
Tabeeb monastery, in that neighbourhood. These leaves are serrated, and
of the form and size of bay leaves, only of a lighter green. When used,
after being dried in the sun, they are pulverized in a mortar until a
very fine powder of an intensely but not permanent bitter is produced.
It is then ready for the purposes required, which are similar to those
of hops and gentian in brewing our beer.
Public-domain text, read in full here on John Shaqi.
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