Travels in the Central Parts of Indo-China (Siam), Cambodia, and Laos (Vol. 1 of 2): During the Years 1858, 1859, and 1860Mouhot, Henri
History
Travels in the Central Parts of Indo-China (Siam), Cambodia, and Laos (Vol. 1 of 2): During the Years 1858, 1859, and 1860
Mouhot, Henri
Cambodia -- Description and travel; Khmer language; Natural history -- Indochina; Thailand -- Description and travel
On the northern side is portrayed a combat, and procession, with drums,
flutes, trumpets, tam-tams, and organs said to be Chinese; a king,
mounted on the shoulders of a hideous giant, who holds in each hand
by the foot a fighting giant. All the chiefs take part in the combat,
standing, some on tigers, others in cars.
Near the central peristyle is a figure of the king, with a long beard;
on each side are courtiers with clasped hands.
To the right appears a military procession, a combat, griffins, eagles
with peacocks’ tails, a dragon with seven heads and a tower on his
back--the king letting fly an arrow, standing on the back of a giant
with tail, claws, and beak.
_Second Story._--The first gallery on the west side is connected with
the second by two other smaller galleries, 40 metres long, and which
are themselves connected by two colonnades in the form of a cross, and
supporting two vaulted roofs.
Four rows of square columns, each hewn out of a single block of stone,
those in the inside row being 4 metres 14 centimetres high and 45
centimetres thick; those on the outside being 3 metres 10 centimetres
high, and rather smaller at the top than at the base. The little
gallery on the right is filled with statues representing persons in the
act of worshipping idols, some of these being of wood, others of stone.
Many of the statues are 4 metres in height, and the greater number of
them must be of great age, to judge from their state of dilapidation,
in spite of the hardness of the stone. In the centre is a statue of the
famous leprous king, and by his side, in a posture of adoration, are
two statues of priests, with faces full of expression. These are real
chefs-d’œuvre. At no great distance is a small statue of his queen.
[Illustration:
Drawn by M. Thérond, from a Sketch by M. Mouhot.
PAVILION IN THE INTERIOR OF THE TEMPLE OF ONGCOR-WAT.]
Here are found two pavilions of extremely elegant architecture, with
porticoes and staircases at each end.
There is a second gallery, with four towers at each end and three
porticoes and staircases on each side. This gallery is raised on a base
5 metres 10 centimetres high, the ledge of which forms a terrace 74
centimetres broad.
There are neither columns nor bas-reliefs here, but the walls have
imitation windows with twisted bars; the gallery is half dark,
receiving very little light except through the doors. There are idols,
both of stone and bronze, on pedestals, with their hands held out to
receive gifts from their worshippers.
_Central part._--A raised terrace leads to the foot of the great
staircase, and forms a cross, the arms of which lead to two small
pavilions with four porticoes and staircases. The base of this part
is admirably executed, both as to general effect and in detail. There
are twelve staircases, the four in the middle being 6 metres wide, and
having 39 steps.
Public-domain text, read in full here on John Shaqi.
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