Travels in Turkey and back to EnglandChishull, Edmund
History
Travels in Turkey and back to England
Chishull, Edmund
Turkey -- Description and travel -- Early works to 1800
We now turn to the right hand, and in an eminent part of the city are
brought to the Emperor’s palace, old and irregular in outward appearance,
but within its precincts is the old cathedral church, an handsome Gothic
building of the year 923, as appears by an inscription on the chief
altar. The stateliness of the old architecture, with the richness as well
as beauty of the modern ornaments, make it a venerable pile. They have
here a picture of the _Virgin_, which is pretended to be of _St. Luke’s_
hand. At the gate entering into this palace there is another in sight,
which is the residence of the Archbishop.
From the cathedral we are carried to the _Capuchin_ cloister, which
consists of a small but most beautiful quadrangle. Round the four
sides, under a fair portico, are painted thirty different copies of
so many of the most eminent and miraculous images of the _Virgin_,
each in the proper garb, posture, and colours of the originals; and
the remaining space of the wall beneath is filled with votive tables,
in acknowledgement of favours received from each picture. I thought
this collection observable, in that it is an apparent instance of the
different representations of the _B. Virgin_, who is not invoked under
the same character in all places, and on all occasions; but according
to the fancy of the first painters, and the superstition of the late
devotees, is split into so many distinct objects of worship; as the Lady
_de Victoria_, _de Litera_, _de Consilio_, _Crysostomiana_, _Cyrilliana_,
_Bernardina_, _Lauretana_, _Eremitana_, _Cellensis_, _Passaviensis_,
_Wranoviensis_, _Hallensis_. As this shews how polytheism crept in among
the heathen, who first of all worshiped God under so many distinct
attributes, and afterwards as so many distinct beings; so it argues
greater superstition in the church of Rome: for instead of the several
characters of _Venus_, as _Cypria_, _Cytherea_, _Victrix_, and others; or
of _Diana_, as _Aricinia_, _Leucophryne_, _Taurica_[139]; we have many
more of _Sta. Maria_. In the middle of this quadrangle is an handsome
imitation of the chapel of _Loretto_ with the _Virgin_ and our _Savior_
above the altar in the complection of _Moors_; and on the outside walls
are various religious stories elegantly represented.
Public-domain text, read in full here on John Shaqi.
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