In the ordinary construction of a French chateau, there is a greater consumption of wood than brick, and no sparing of ground. It is usually a rambling building, with a body, wings, and again wings upon those wings; and flanked on each side with a pigeon-house, stables, and barns, the pigeon-house being on the right, and the barns and stables on the left. The decorations are infinitely beneath contempt; painted weathercocks and copper turrets, and even the paint apparently as ancient as the chateau. The windows are numerous, but even in the best chateaus there is strange neglect as to the broken glass; sometimes they are left as broken, but more frequently patched with paper, coloured silk, or even stuffed with linen. The upper tier of windows, even in the front of the house, is usually ornamented with the clothes of the family hanging out to dry, a piece of slovenliness and ill-taste for which there can assuredly be no excuse in the country where there is surely room enough for this part of household business. Upon the whole, the appearance of a French chateau, in the old style, resembles one of those deserted houses which are sometimes seen in England, where the plaister has been peeled or is peeling off, and where every boy that passes throws his stone at the windows. The pleasure grounds attached to the chateau, very exactly correspond with its style: the chateau is usually built in the worst possible site of the whole estate. It generally stands in some meadow or lawn, and precisely in that part of it which is the natural drain of the whole, and where, if there were no house, there would necessarily be an horse-pond. A grand avenue, planted on each side with noble trees, leads up to the house, but is usually so overgrown with moss and weeds, as to convey a most uncomfortable feeling of cold, dampness, and desolation. The grass of the lawn is equally foul, and every thing of dirt and rubbish is collected under the windows in front. The gardens behind are in the same execrable state: gravel-walks over-run with moss and weeds; flower beds ornamented with statues of leaden Floras, painted Mercurys, and Dians with milk-pails. Every yard almost salutes you with some similar absurdity. The hedges are shaped into peacocks, and not unfrequently into ladies and gentlemen dancing a minuet. Pillars of cypress, and pyramids of yew, terminate almost every walk, and if there is an hollow in the garden, it is formed into a muddy pond, in which half a dozen nymphs in stone, are about to plunge. The ill-taste of these statues is not the worst; they are grossly indecent: nothing is reserved, nothing is concealed; and yet the master of the house will not hesitate to exhibit these to his female visitors, and what is worse, his female visitors will look at them with a pleasant smile. Once for all, there is no such thing as decency, as it is understood in other kingdoms, to be found in France. Nature is the fashion of the day, and