Travels through the states of North America, and the provinces of Upper and Lower Canada, during the years 1795, 1796, and 1797 [Vol. 2 of 2]Weld, Isaac
History
Travels through the states of North America, and the provinces of Upper and Lower Canada, during the years 1795, 1796, and 1797 [Vol. 2 of 2]
Weld, Isaac
Canada -- Description and travel -- Early works to 1800; United States -- Description and travel -- Early works to 1800
Of their grand dances the war dance must undoubtedly, from every account
I have received of it, for I never had any opportunity of seeing it
myself, be the one most worthy the attention of a stranger. It is
performed both on setting out and returning from their war parties, and
likewise at other times, but never except on some very particular and
solemn occasion. The chiefs and warriors who are about to join in this
dance dress and paint themselves as if actually out on a warlike
expedition, and they carry in their hands their warlike weapons. Being
assembled, they seat themselves down on their hams, in a circle, round a
great fire, near to which is placed a large post; after remaining a
short time in this position, one of the principal chiefs rises, and
placing himself in the center, begins to rehearse, in a sort of
recitative, all the gallant actions which he has ever performed; he
dwells particularly on the number of enemies he has killed, and
describes the manner in which he scalped them, making gestures all the
time, and brandishing his weapons, as if actually engaged in performing
the horrid operation. At the end of every remarkable story he strikes
his war club on the post with great fury. Every chief and warrior tells
of his deeds in turn. The song of one warrior often occupies several
hours, and the dance itself sometimes lasts for three or four entire
days and nights. During this period no one is allowed to sleep, a person
who stands at the outside of the circle being appointed (whose business
it is) to rouse any warrior that appears in the least drowsy. A deer, a
bear, or some other large animal is put to roast at the fire as soon as
the dance begins, and while it lasts each warrior rises at will to help
himself to a piece of it. After each person in the circle has in turn
told of his exploits, they all rise, and join in a dance truly
terrifying; they throw themselves into a variety of postures, and
leaping about in the most frantic manner, brandish their knives and
other weapons; at the same time they set up the war hoop, and utter the
most dreadful yells imaginable. In this manner the dance terminates.
[Sidenote: INDIAN FLUTE.]
Public-domain text, read in full here on John Shaqi.
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