I went back to my first harp, verified, and examined my drawing in all its parts; it is with great pleasure I now give a figure of this second harp to the reader, it was mislaid among a multitude of other papers, at the time when I was solicited to communicate the former drawing to a gentleman then writing the History of Music, which he has already submitted to the public; it is very lately and unexpectedly this last harp has been found; I am only sorry this accident has deprived the public of Dr Burney’s remarks upon it. I hope he will yet favour us with them, and therefore abstain from anticipating his reflections, as I consider this as his province; I never knew any one so capable of affording the public, new, and at the same time just lights on this subject. There still remained a third harp of ten strings, its precise form I do not well remember, for I had seen it but once when I first entered the cave, and was now preparing to copy that likewise. I do not recollect that there was any man playing upon this one, I think it was rather resting upon a wall, with some kind of drapery upon one end of it, and was the smallest of the three. But I am not at all so certain of particulars concerning this, as to venture any description of it; what I have said of the other two may be absolutely depended upon. I look upon these harps then as the Theban harps in use in the time of Sesostris, who did not rebuild, but decorate ancient Thebes; I consider them as affording an incontestible proof, were they the only monuments remaining, that every art necessary to the construction, ornament, and use of this instrument, was in the highest perfection, and if so, all the others must have probably attained to the same degree. We see in particular the ancients then possessed an art relative to architecture, that of hewing the hardest stones with the greatest ease, of which we are at this day utterly ignorant and incapable. We have no instrument that could do it, no composition that could make tools of temper sufficient to cut bass reliefs in granite or porphyry so readily; and our ignorance in this is the more completely shewn, in that we have all the reasons to believe, the cutting instrument with which they did these surprising feats was composed of brass; a metal of which, after a thousand experiments, no tool has ever been made that could serve the purpose of a common knife, though we are at the same time certain, it was of brass the ancients made their razors.