Travels to Tana and Persia : $b A narrative of Italian travels in Persia, in the 15th and 16th centuriesBarbaro, Giosofat
History
Travels to Tana and Persia : $b A narrative of Italian travels in Persia, in the 15th and 16th centuries
Barbaro, Giosofat
Iran -- Description and travel; Voyages and travels
On the floor of the hall is spread a magnificent carpet, apparently of
silk, worked in the Persian manner with beautiful patterns, which is
round, and of the exact measurement the place requires; likewise in the
other rooms the floor is all covered. This hall has no light except what
it gets from the anterooms and chambers. Still there are entrances from
the centre hall to the apartments and anterooms where there are many
windows all giving light, each anteroom having only one window, but
that one as large as the whole side of a room, and beautifully fitted.
Thus when these doors are open, the palace, or rather the hall, is so
brilliant with these beautiful figures, that it is a wonder to see. This
is the palace where Assambei used to give audience. About a bowshot from
the palace there is a harem of one storey, so large that a thousand women
might conveniently live there in different rooms. Among the rooms is a
large one like a hall, with the walls all adorned with gold and plaster,
looking like emerald and many other colours. The ceiling of this harem
is ornamented with gold and ultramarine. From this hall there are many
chambers on every side, with all the doors superbly decorated with
gold and blue, and many signs and letters made of mother of pearl, in
beautiful patterns; and through the centre of this hall flows a stream
of pure water, a cubit in breadth and as much deep. On one side of this
harem is a summer-house four yards square, beautifully decorated with
enamel, gold, and ultramarine blue, in patterns really a wonder to see.
Here the queen stays with her maidens to do needlework, according to
their custom.
And in truth it would be too long and too tedious for me to recount
everything about the palace and the harem, which is in the same garden,
and has three entrances, one to the south, another to the north, and
the third to the east. That to the south is arched with bricks, but not
very large, and leads to the garden, the palace being a bowshot distant;
passing through the gate, fifteen paces off on the left is a gallery, a
bowshot in length and six paces broad, which from one end to the other
has seats of the finest marble, with a kind of railing with a design, as
an ornament in relief of plaster, of various colours, quite a wonder to
behold from the excellence of the workmanship. The roof is all ornamented
with gold and plaster. This gallery is supported from one end to the
other by columns of fine marble; in front of it there is a fountain, as
long as the gallery, of fine marble likewise, which is always full of
water, and is twenty-five paces broad. In it there are always four or
five couple of swans; round it there are rose trees and jessamines, and a
smooth road leading direct to the royal palace.
Public-domain text, read in full here on John Shaqi.
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