Treasure and Trouble Therewith: A Tale of CaliforniaBonner, Geraldine
General
Treasure and Trouble Therewith: A Tale of California
Bonner, Geraldine
California -- Fiction
This falsehood, contemptuously transparent, act of final dismissal, was
the blow that broke the shell and let the fire loose. Such shreds of
pride and self-respect as remained to the wretched girl were shriveled.
She put on her hat and coat, and tying a thick veil over her face, went
across town to the Argonaut Hotel.
It was the day after Mayer had met Mark at the Alstons'. He too had not
slept, had had a horrible, harassing night. All day he had sat in his
rooms going over the scene, recalling the young man's face, assuring
himself of its unconsciousness. But he was upset, jarred, his security
gone. Luxury had corroded his already wasted and overdrawn forces; the
habits of idleness weakened his power to resist. One fact stood out in
his mind--he must carry the courtship with Chrystie to its conclusion,
and arrange for their elopement. Sprawled in the armchair or pacing off
the space from the bedroom door to the window he planned it. One or two
more interviews with her would bring her to the point of consent, then
they would slip away to Nevada; he would marry her there and they would
go on to New York. It ought not to take more than a week, at the longest
ten days. If he had had any other woman to deal with--not this spiritless
fool of a girl--he could manage it in a much shorter time. All he had to
do was to make a last trip to Sacramento and get what was left of the
money and that could be done in a day.
A knock at the door made him start. Any sound would have made him start
in the state he was in, and a knock called up nightmare visions of
Burrage, police officers, Lorry Alston--there was no end to his alarms.
Then he reassured himself--a package or the room boy with towels--and
called out "Come in."
At the first glance he did not know who it was. Like a woman in a novel
a female, closely veiled, entered without greeting and closed the door.
When she raised the veil and he saw it was Pancha Lopez he was at once
relieved and exasperated. Her manner did not tend to remove his
irritation. Leaning against the table, her face very white, she looked
at him without speaking. Had not the sight of her just then been
extremely unwelcome, the melodrama of the whole thing--the veil, the
pallid face, the dramatic silence--would have amused him. As it was he
looked anything but amused, rising from the armchair, his brows drawn
together in an ugly frown.
"What on earth brings you here?" was his greeting.
"You," she answered.
Her voice, husky and breathless, matched the rest of the crazy
performance. He saw an impending scene, and under his anger had a
feeling of grievance. This was more than he deserved. He gave her an
ironical bow.
"That's very flattering, I'm sure, and I'm highly honored. But, my dear
Pancha, pardon me if I say I don't like it. It's not my custom to see
ladies up here."
"Don't talk like that to me, Boye," she said, the huskiness of her tone
deepening. "Don't put on style and act like you didn't know me. We're
past that."
Public-domain text, read in full here on John Shaqi.
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