"I can see from here right into one of those rooms, and I'm pretty sure there's a person lying on the floor--dead maybe. The electric light fixture's down and may have got them." Garland turned to Mrs. Meeker: "You get out Prince and put him in the cart." Then to the man in the window: "I'll go in and see. A soldier's just been here who says they've cleaned the place out. There's maybe somebody hurt that they ain't seen." "Hold on a minute and I'll go with you," called the other. "I'm a doctor and I might come in handy. I'll be there in a jiff." He vanished from the window, and before Prince was backed into the shafts, walked up the carriage drive, neatly clad, cool and alert, his doctor's bag in his hand. "I was just looking at the place as I dressed. Queer sight--looks like a doll's house. Bedding flung back over the footboards, the way they'd thrown it when they jumped. Clothes neatly folded over the chairs. And then in that third-story room I saw something long and solid-looking on the floor. Seems to be tangled up in the coverlets. The electric light thing's sprinkled all over it. That's what makes me pretty sure--hit 'em as they made a break. Come on." He and Garland made off as Pancha and Mrs. Meeker set to work on the harnessing of Prince. The soldiers had done their work. The hotel was empty--a congeries of rooms left in wild disorder, opened trunks in the passages, clothes tossed and trampled on the floors. As the men ran up the stairs, its walls gave back the sound of their feet like a place long deserted and abandoned to decay. The recurring shocks that shook its dislocated frame sent plaster down, and called forth creaking protests from the wrenched girders. The rear was flooded with light, streaming in where the wall had been, and through open doors they saw the houses opposite filling in the background like the drop scene at a theater. The third floor had suffered more than those below, and they made their way down a hall where mortar lay heaped over the wreckage of glass, pictures and chairs. The bedroom that was their goal was tragic in its signs of intimate habitation strewn and dust-covered, as if years had passed since they had been set forth by an arranging feminine hand. The place looked as untenanted as a tomb. Anyone glancing over its blurred ruin, no voice responding to a summons, might have missed the figure that lay concealed by the bed and partly enwrapped in its coverings. The doctor, kneeling beside it, pushed them off and swept away the litter of glass and metal that had evidently fallen from the ceiling and struck the woman down. She was lying on her face, one hand still gripping the clothes, a pink wrapper twisted about her, her blonde hair stained with the ooze of blood from a wound in her head. He felt of her pulse and heart and twitching up her eyelids looked into her set and lifeless eyes. "Is she dead?" Garland asked.