Treasure and Trouble Therewith: A Tale of CaliforniaBonner, Geraldine
General
Treasure and Trouble Therewith: A Tale of California
Bonner, Geraldine
California -- Fiction
Prince and the cart were ready. From her discarded belongings Mrs. Meeker
had salvaged three treasures, which she had stowed against the dashboard,
a solio portrait of her late husband, a canary in a gilt cage, and a
plated silver teapot. The body of the cart was clear, and the men placed
the mattress there. The spread that covered the woman becoming
disarranged, Pancha smoothed it into neatness, pausing to look with
closer scrutiny into the marble face. It was so unlike the face she had
seen before, rosy and smiling beneath the shade of modish hats, that no
glimmer of recognition came to her. Chrystie was to her, as she was to
the others, an unknown woman.
Mrs. Meeker, even in this vital moment, knew again a stir of curiosity.
"Who is she?" she said to the men. "Ain't you found anything up there to
tell us where she belongs?"
The doctor's voice crackled like pistol shots:
"Good God, woman, we've not got time to find out who people _are_. Take
her along--get a move on. It's getting d----d hot here."
It was; the heat of the growing conflagration was scorching on their
faces, the cinders falling like rain.
"Get up there, Mrs. Meeker," Garland commanded; "on the front seat. You
drive and Pancha and I'll walk alongside."
The woman climbed up. The doctor, turning to go, gave his last orders:
"Try and get her out of this--uptown--where there's air and room. Keep
her as quiet as you can. You'll run up against doctors who'll help.
Sorry I can't go along with you, but there'll be work for my kind all
over the city today, and I got a girl across toward North Beach that I
want to see after."
He was off down the carriage drive almost colliding with a soldier, who
came up on the run, a bayoneted musket in his hand, his face a blackened
mask, streaming with sweat. At the sight of the cart he broke into an
angry roar:
"What are you standing round for? Do you want to be burnt? Get out. Don't
you know the fire's coming? _Get out."_
They moved out and joined the vast procession of a city in exodus.
For months afterward Pancha dreamed of that day--woke at night to a sense
of toiling, onward effort, a struggling slow progress, accomplished amid
a sea of faces all turned one way. The dream vision was not more
prodigiously improbable than the waking fact--life, comfortable and
secure, suddenly stripped of its garnishings, cut down to a single
obsessing issue, narrowed to the point where the mind held but one
desire--to be safe.
Public-domain text, read in full here on John Shaqi.
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