I sometimes fancy that every great city must have been built by night. At least, it is only at night that every part of a great city is great. All architecture is great architecture after sunset; perhaps architecture is really a nocturnal art, like the art of fireworks. At least, I think many people of those nobler trades that work by night (journalists, policemen, burglars, coffee-stall keepers, and such mistaken enthusiasts as refuse to go home till morning) must often have stood admiring some black bulk of building with a crown of battlements or a crest of spires and then burst into tears at daybreak to discover that it was only a haberdasher’s shop with huge gold letters across the face of it. ..... I had a sensation of this sort the other day as I happened to be wandering in the Temple Gardens towards the end of twilight. I sat down on a bench with my back to the river, happening to choose such a place that a huge angle and façade of building jutting out from the Strand sat above me like an incubus. I dare say that if I took the same seat to-morrow by daylight I should find the impression entirely false. In sunlight the thing might seem almost distant; but in that half-darkness it seemed as if the walls were almost falling upon me. Never before have I had so strongly the sense which makes people pessimists in politics, the sense of the hopeless height of the high places of the earth. That pile of wealth and power, whatever was its name, went up above and beyond me like a cliff that no living thing could climb. I had an irrational sense that this thing had to be fought, that I had to fight it; and that I could offer nothing to the occasion but an indolent journalist with a walking-stick.