Tremendous TriflesChesterton, G. K. (Gilbert Keith)
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Tremendous Trifles
Chesterton, G. K. (Gilbert Keith)
English essays
Then the two great noises grew deafening together, the noise of the
peril of England and the louder noise of the placidity of England. It
is their fault if the last verse was written a little rudely and at
random--
“I see you how you smile in state
Straight from the Peak to Plymouth Bar,
You need not tell me you are great,
I know how more than great you are.
I know what William Shakespeare was,
I have seen Gainsborough and the grass.
“(O given to believe a lie,
O my mad mother, do do not die,
Whose eyes turn all ways but within,
Whose sin is innocence of sin,
Whose eyes, blinded with beams at noon,
Can see the motes upon the moon,
You shall your lover still pursue.
To what last madhouse shelters you
I will uphold you, even I.
You that are dead. You shall not die.)”
But the sea would not stop for me any more than for Canute; and as for
the German band, that would not stop for anybody.
XXVII. Some Policemen and a Moral
The other day I was nearly arrested by two excited policemen in a wood
in Yorkshire. I was on a holiday, and was engaged in that rich and
intricate mass of pleasures, duties, and discoveries which for the
keeping off of the profane, we disguise by the exoteric name of Nothing.
At the moment in question I was throwing a big Swedish knife at a tree,
practising (alas, without success) that useful trick of knife-throwing
by which men murder each other in Stevenson’s romances.
Suddenly the forest was full of two policemen; there was something about
their appearance in and relation to the greenwood that reminded me,
I know not how, of some happy Elizabethan comedy. They asked what the
knife was, who I was, why I was throwing it, what my address was, trade,
religion, opinions on the Japanese war, name of favourite cat, and so
on. They also said I was damaging the tree; which was, I am sorry to
say, not true, because I could not hit it. The peculiar philosophical
importance, however, of the incident was this. After some half-hour’s
animated conversation, the exhibition of an envelope, an unfinished
poem, which was read with great care, and, I trust, with some profit,
and one or two other subtle detective strokes, the elder of the two
knights became convinced that I really was what I professed to be, that
I was a journalist, that I was on the DAILY NEWS (this was the real
stroke; they were shaken with a terror common to all tyrants), that
I lived in a particular place as stated, and that I was stopping
with particular people in Yorkshire, who happened to be wealthy and
well-known in the neighbourhood.
In fact the leading constable became so genial and complimentary at last
that he ended up by representing himself as a reader of my work. And
when that was said, everything was settled. They acquitted me and let me
pass.
Public-domain text, read in full here on John Shaqi.
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