Trenching at Gallipoli: The personal narrative of a Newfoundlander with the ill-fated Dardanelles expeditionGallishaw, John
History
Trenching at Gallipoli: The personal narrative of a Newfoundlander with the ill-fated Dardanelles expedition
Gallishaw, John
World War, 1914-1918 -- Campaigns -- Turkey -- Gallipoli Peninsula; World War, 1914-1918 -- Personal narratives, Canadian
Mr. Nunns came toward the group, looking for Stenlake. It was Sunday
afternoon, and he thought it would be well to have a service. Stenlake
was found, and a crowd trailed after him to an empty dugout, where he
gathered them about him and began. It was a simple, sincere service.
Out there in that barren country, it seemed a strange thing to see
those rough men gathered about Stenlake while he read a passage or led
a hymn. But it was most impressive. The service was almost over, and
Stenlake was offering a final prayer, when the Turkish batteries
opened fire. Ordinarily at the first sound of a shell, men dived for
shelter; but gathered around that dugout, where a single shell could
have wrought awful havoc, not a man stirred. They stayed motionless,
heads bowed reverently, until Stenlake had finished. Then quietly
they dispersed. As a lesson in faith it was most illuminating.
It was strange to see week by week the psychological change that had
come over the men. Most of all I noticed it in the songs they sang. At
first the songs had been of a boisterous character, that foretold
direful things that would happen to the Kaiser and his family "As we
go marching through Germany." These had all given place to songs that
voiced to some extent the longing for home that possessed these
voluntary exiles. "I want to go back to Michigan" was a favorite.
Perhaps even more so was "The little gray home in the West."
"Tipperary" was still in demand, not because of the lilt of a march
that it held, but for the pathetic little touch of "my heart's right
there," and perhaps for the reference to "the sweetest girl I know."
Public-domain text, read in full here on John Shaqi.
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