Detective and mystery stories; Trent, Philip (Fictitious character) -- Fiction
“My parents thought so,” said Mr. Cupples. “I thought so myself when I
became old enough to read and understand that excessively sordid story.
But the mystery of the affair was so dark, and the task of getting at
the truth behind the lies told by everybody concerned proved so
hopeless, that others were just as fully convinced of the innocence of
old James Fleming. All Scotland took sides on the question. It was the
subject of debates in Parliament. The press divided into two camps, and
raged with a fury I have never seen equalled. Yet it is obvious, is it
not? for I see you have read of the case—that if the spiritual truth
about that old man could have been known there would have been very
little room for doubt in the matter. If what some surmised about his
disposition was true, he was quite capable of murdering Jessie
M’Pherson and then casting the blame on the poor feeble-minded creature
who came so near to suffering the last penalty of the law.”
“Even a commonplace old dotard like Fleming can be an unfathomable
mystery to all the rest of the human race,” said Trent, “and most of
all in a court of justice. The law certainly does not shine when it
comes to a case requiring much delicacy of perception. It goes wrong
easily enough over the Flemings of this world. As for the people with
temperaments who get mixed up in legal proceedings, they must feel as
if they were in a forest of apes, whether they win or lose. Well, I
dare say it’s good for their sort to have their noses rubbed in reality
now and again. But what would twelve red-faced realities in a jury-box
have done to Marlowe? His story would, as he says, have been a great
deal worse than no defence at all. It’s not as if there were a single
piece of evidence in support of his tale. Can’t you imagine how the
prosecution would tear it to rags? Can’t you see the judge simply
taking it in his stride when it came to the summing up? And the
jury—you’ve served on juries, I expect—in their room, snorting with
indignation over the feebleness of the lie, telling each other it was
the clearest case they ever heard of, and that they’d have thought
better of him if he hadn’t lost his nerve at the crisis, and had
cleared off with the swag as he intended. Imagine yourself on that
jury, not knowing Marlowe, and trembling with indignation at the record
unrolled before you—cupidity, murder, robbery, sudden cowardice,
shameless, impenitent, desperate lying! Why, you and I believed him to
be guilty until—”
“I beg your pardon! I beg your pardon!” interjected Mr. Cupples, laying
down his knife and fork. “I was most careful, when we talked it all
over the other night, to say nothing indicating such a belief. _I_ was
always certain that he was innocent.”
“You said something of the sort at Marlowe’s just now. I wondered what
on earth you could mean. Certain that he was innocent! How can you be
certain? You are generally more careful about terms than that,
Cupples.”
Public-domain text, read in full here on John Shaqi.
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