Detective and mystery stories; Trent, Philip (Fictitious character) -- Fiction
A thousand times, with a heart full of anguish, he had sought to reason
away the dread that Mabel Manderson had known too much of what had been
intended against her husband’s life. That she knew all the truth after
the thing was done he could not doubt; her unforgettable collapse in
his presence when the question about Marlowe was suddenly and bluntly
put, had swept away his last hope that there was no love between the
pair, and had seemed to him, moreover, to speak of dread of discovery.
In any case, she knew the truth after reading what he had left with
her; and it was certain that no public suspicion had been cast upon
Marlowe since. She had destroyed his manuscript, then, and taken him at
his word to keep the secret that threatened her lover’s life.
But it was the monstrous thought that she might have known murder was
brewing, and guiltily kept silence, that haunted Trent’s mind. She
might have suspected, have guessed something; was it conceivable that
she was aware of the whole plot, that she connived? He could never
forget that his first suspicion of Marlowe’s motive in the crime had
been roused by the fact that his escape was made through the lady’s
room. At that time, when he had not yet seen her, he had been ready
enough to entertain the idea of her equal guilt and her co-operation.
He had figured to himself some passionate _hystérique_, merciless as a
cat in her hate and her love, a zealous abettor, perhaps even the
ruling spirit in the crime.
Then he had seen her, had spoken with her, had helped her in her
weakness; and such suspicions, since their first meeting, had seemed
the vilest of infamy. He had seen her eyes and her mouth; he had
breathed the woman’s atmosphere. Trent was one of those who fancy they
can scent true wickedness in the air. In her presence he had felt an
inward certainty of her ultimate goodness of heart; and it was nothing
against this that she had abandoned herself a moment, that day on the
cliff, to the sentiment of relief at the ending of her bondage, of her
years of starved sympathy and unquickened motherhood. That she had
turned to Marlowe in her destitution he believed; that she had any
knowledge of his deadly purpose he did not believe.
Public-domain text, read in full here on John Shaqi.
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