American fiction -- 19th century; Short stories; Western stories
“To think,” said Melinda confidently to her mistress, “that that thar
Mrs. Stubbs, who wouldn't go to the Hightown Hotel because there was a
play actress thar, has been snoopin' round here twice since that young
feller came.”
Of this fact, however, Mr. Hamlin was blissfully unconscious.
Nevertheless, his temper was growing uncertain; the angle of his smart
straw hat was becoming aggressive to strangers; his politeness sardonic.
And now Sunday morning had come with an atmosphere of starched piety and
well-soaped respectability at the rancho, and the children were to be
taken with the rest of the family to the day-long service at Hightown.
As these Sabbath pilgrimages filled the main road, he was fain to take
himself and his loneliness to the trails and byways, and even to invade
the haunts of some other elegant outcasts like himself--to wit, a
crested hawk, a graceful wild cat beautifully marked, and an eloquently
reticent rattlesnake. Mr. Hamlin eyed them without fear, and certainly
without reproach. They were not out of their element.
Suddenly he heard his name called in a stentorian contralto. An
impatient ejaculation rose to his lips, but died upon them as he turned.
It was certainly Melinda, but in his present sensitive loneliness it
struck him for the first time that he had never actually seen her before
as she really was. Like most men in his profession he was a quick reader
of thoughts and faces when he was interested, and although this was the
same robust, long-limbed, sunburnt girl he had met, he now seemed to see
through her triple incrustation of human vanity, conventional piety,
and outrageous Sabbath finery an honest, sympathetic simplicity that
commanded his respect.
“You are back early from church,” he said.
“Yes. One service is good enough for me when thar ain't no special
preacher,” she returned, “so I jest sez to Silas, 'as I ain't here to
listen to the sisters cackle ye kin put to the buckboard and drive me
home ez soon ez you please.'”
“And so his name is Silas,” suggested Mr. Hamlin cheerfully.
“Go 'long with you, Mr. Hamlin, and don't pester,” she returned, with
heifer-like playfulness. “Well, Silas put to, and when we rose the hill
here I saw your straw hat passin' in the gulch, and sez to Silas, sez I,
'Ye kin pull up here, for over yar is our new boarder, Jack Hamlin, and
I'm goin' to talk with him.' 'All right,' sez he, 'I'd sooner trust
ye with that gay young gambolier every day of the week than with them
saints down thar on Sunday. He deals ez straight ez he shoots, and is
about as nigh onto a gentleman as they make 'em.'”
For one moment or two Miss Bird only saw Jack's long lashes. When his
eyes once more lifted they were shining. “And what did you say?” he
said, with a short laugh.
Public-domain text, read in full here on John Shaqi.
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