Trevethlan: A Cornish Story. Volume 3 (of 3)Watson, William Davy
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Trevethlan: A Cornish Story. Volume 3 (of 3)
Watson, William Davy
Cornwall (England : County) -- Fiction
Her voice, which had risen occasionally while she spoke, now sank into
an inarticulate murmur, and her head dropped, and the rocking of her
chair nearly ceased. The little girl looked at her with increasing
wonder and dread. Suddenly Maud raised her head, and after seeming to
listen for a moment, cried, "Michael," in one wild and dissonant shriek.
"What voice was that on the wind?" she continued, rising abruptly from
the chair. "Who hailed that name?--Michael," she called again, in the
same unearthly tone--"didst hear? 'T was his own. Didst hear how it
wailed on the wind?--Michael--The waters are sounding in my ears. Didst
hear the name, girl?--Drowning.--Ay, it was he--it was he."
Her voice had declined to a hoarse whisper, and her limbs relaxed, and
she sank, rather then fell, to the ground. The little girl ran terrified
from the lodge to seek for help. When the neighbours whom she summoned
returned thither, they found the old woman huddled together in a heap
upon the floor. They raised her up, but life had departed: she had
rejoined her daughter, Margaret Trevethlan.
CHAPTER XVII.
O blisful ordre, O wedlock precious,
Thou art so mery, and so virtuous,
And so commended, and approved eke,
That every man that holt him worth a leke,
Upon his bare knees oughten all his lif
Thanken his God that him hath sent a wif;
Or elles pray to God him for to send
A wif to last until his lives end.
Chaucer.
Odious are town-weddings. To our fancy there is something appalling in
the splendour with which the ceremony is invested. And it seems to
defeat its object; for the festivities which follow the departure of the
new-married pair are proverbially dull. But the train of carriages, the
cloud of bride-maids, and all the rest of the pomp and parade, appear to
us more fitted to gratify the taste of the mob on the pavement, than to
show the refinement of the nineteenth century. A solemn rite is
converted into a theatrical entertainment. What should be a scene of
deep and heart-felt joy becomes a laborious piece of acting. The bridal
wreath is sullied by the incense which rises round it. To be sure if
there is no heart in the business, if the gist of the union is to be
found in the settlements, and the promise to love, honour, and obey is
made as a matter of form, then the scenic character of the accessaries
is perhaps in keeping, and may serve to throw a decorous veil over the
sacrifice. But the village-church is the proper shrine for matrimony.
The rustics who make a holiday of the occasion, and come in their Sunday
raiment to take respectful leave of their squire's daughter, form a much
more seemly retinue, than the gamins and idlers who throng the portico
of the London church, staring with rude wonder, and eager for vulgar
satire. And is it a childish desire that would fain invest the spot
where our fondest hopes were crowned, with a little romance? May we not
Public-domain text, read in full here on John Shaqi.
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