A tall form interposed between him and the mouth of the pit--that of Meg
Pennet. She had been watching for a body which had not yet been brought
up. Suddenly she turned to Mr. Chattaway.
"You have killed him, master; you have made my children orphans. But for
your coming in your hardness to drive him out when he warn't fit to go,
we should ha' had somebody still to work for us. Happen you may have
heered of a curse? I'd like to give ye one now."
"Somebody take this woman away," cried Chattaway. "She'll be better at
home."
"Ay, take her away," retorted Meg; "don't let her plaints be heered,
lest folk might say they be just. Send her home to her fatherless
children, and send her dead man after her to lie among 'em till his
burial. Happen, when you come to your death, Mr. Chattaway, you'll have
us all afore your mind, to comfort you!"
She stopped. Another ill-fated man was being drawn up, and she turned to
wait for it, her hands clenched, her face white and haggard in its
intensity. The burden came, and was laid near the rest; but it was not
the one for which she waited. Another woman darted forward; _she_ knew
it too well; and she clasped her hands round it, and sobbed in agony.
Meg Pennet turned resolutely to the mouth of the pit again, watching
still.
"Be they all dead? How many was down?"
The voice came from behind Meg Pennet, and she screamed and started.
There stood her husband. How had he escaped from the pit?
"I haven't been a-nigh it," he answered. "I couldn't get down to the
pit, try as I would, without a rest, and I halted at Green's. Who's dead
among 'em, and who's alive?"
"God be thanked!" exclaimed Meg Pennet, with a sob of emotion.
All Mr. Chattaway's faculties were strained on the mouth of that yawning
pit, and what it might yield up. As body after body was brought to the
surface--seven of them were up now--he cast his anxious looks upon it,
expecting to recognise the fair face of Rupert Trevlyn. Expecting and
yet dreading--don't think him worse than he was; with the frightened,
half-shrinking dread ordinarily experienced by women, or by men of
nervous and timid temperament. So utterly did this suspense absorb him
as to make him almost oblivious to the painful features of the scene,
the wails of woe and bursts of lamentation.
Happening for a minute to turn his eyes from the pit, he saw in the
distance a pony-carriage approaching, which looked uncommonly like that
of Miss Diana Trevlyn. Instinct told him that the two figures seated in
it were his wife and Miss Diana, although as yet he could not see
whether they were women or men. It was slowly winding down a distant
hill, and would have to ascend another and come over the flat stretch of
country ere it could reach them. He beckoned his clerk Ford to him in a
sort of terror.
Public-domain text, read in full here on John Shaqi.
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