Tristram of Blent: An Episode in the Story of an Ancient HouseHope, Anthony
General
Tristram of Blent: An Episode in the Story of an Ancient House
Hope, Anthony
England -- Social life and customs -- Fiction; Inheritance and succession -- Fiction; Young men -- Fiction
"In my opinion," he said nervously, but not without his usual precision,
"we can carry this matter no further. Madame Zabriska declines to speak.
I may say that I understand and respect the motive which I believe
inspires her. She regrets her idle words. She thinks that by repeating
them she would give them greater importance. She does not wish to assume
responsibility. She leaves the matter in your hands, Iver. It is not her
affair; she had no reason to suppose that it would be yours. By a train
of events for which she is not accountable the question has become of
importance to you. In her view it is for you to take your own steps. She
stands aside."
"She's my friend, she's my daughter's friend. The question is whether my
daughter marries Lord Tristram of Blent or an impostor (whether
voluntary or involuntary) without a name, an acre, or, so far as I know,
a shilling. She can help me. She stands aside. You think her right,
Neeld?"
"Yes, I do," said the old gentleman with the promptness of desperation.
"Then your idea of friendship differs diametrically from mine. I desire
no such friends as that."
It is to be hoped that the sting of Iver's remark was somewhat mitigated
by Mina's covertly telegraphed gratitude. Yet Neeld was no happier after
his effort than before it. A silence fell on them all. Mina glanced from
her uncle's face to Iver's. Both men were stern and gloomy. Her sense of
heroism barely supported her; things were so very uncomfortable. If
Harry could know what she suffered for him, it would be something. But
Mina had an idea that Harry was thinking very little about her.
Moreover, in taking sides in a controversy, perhaps the most important
practical question is--whom has one got to live with? She had to live
not with Harry Tristram, but with that glowering uncle, Major Duplay.
Agree with your enemy whiles you are in the house with him, even more
than whiles you are in the way.
At this point--the deadlock demanded by the canons of art having been
reached by the force of circumstances and the clash of wills--enter the
_Deus ex Machina_, in the shape of a pretty parlormaid in a black gown
and white apron, with a bow of pink ribbon at her neck; instead of the
car, a silver salver, and on it a single letter.
"For you, ma'am," said the _Deus_, and with a glance at Neeld (merely
because he was a man and a stranger) she ended her brief but momentous
appearance on the stage.
The Imp was in no mood for ceremony; one glance at the handwriting, and
she tore the envelope open eagerly. Iver was whispering to Duplay.
Neeld's eyes were on the ceiling, because he did not know where else he
could direct them with any sense of safety.
Public-domain text, read in full here on John Shaqi.
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