Tristram of Blent: An Episode in the Story of an Ancient HouseHope, Anthony
General
Tristram of Blent: An Episode in the Story of an Ancient House
Hope, Anthony
England -- Social life and customs -- Fiction; Inheritance and succession -- Fiction; Young men -- Fiction
River scenes and bric-à-brac! Mina was surprised that Blent did not on
the instant punish the blasphemy by a revengeful earthquake or an
overwhelming flood. Cecily caught her by the arm, a burlesque
apprehension screwing her face up into a fantastically ugly mask.
"It was the Gainsborough in me!" she whispered, "Gainsboroughs can live
on curios! But I can't, Mina, I can't. I'm a Tristram, not a
Gainsborough. No more could Harry in the end, no more could Harry!"
Mina was panting; she had danced and she had wondered; she was on the
tip of the excitement with which Cecily had infected her.
"But what are we going to do?" she cried in a last protest of
common-sense.
"Oh, I don't know, but something--something--something," was the not
very common-sense answer she received.
It was not the moment for common-sense. Mina scorned the thing and flung
it from her. She would have none of it--she who stood between beautiful
Addie there on the wall and laughing Cecily here in the window, feeling
by a strange and welcome illusion that though there were two visible
shapes, there was but one heart, one spirit in the two. Almost it seemed
as though Addie had risen to life again, once more to charm and to defy
the world. An inexplicable impulse made her exclaim:
"Were you like this before you came to Blent?"
A sudden quiet fell on Cecily. She paused before she answered:
"No, not till I came to Blent." With a laugh she fell on her knees.
"Please forgive me what I said about the river and the bric-à-brac, dear
darling Blent!"
XVIII
CONSPIRATORS AND A CRUX
Lord Southend was devoted to his wife--a state of feeling natural often,
creditable always. Yet the reason people gave for it--and gave with
something like an explicit sanction from him--was not a very exalted
one. Susanna made him so exceedingly comfortable. She was born to manage
a hotel and cause it to pay fifteen per cent. Being a person--not of
social importance, nothing could make her that--but of social rank, she
was forced to restrict her genius to a couple of private houses. The
result was like the light of the lamps in the heroine's boudoir, a soft
brilliancy: in whose glamour Susanna's plain face and limited
intellectual interests were lost to view. She was also a particularly
good woman; but her husband knew better than to talk about that.
Behold him after the most perfect of lunches, his arm-chair in exactly
the right spot, his papers by him, his cigars to his hand (even these
Susanna understood), a sense of peace in his heart, and in his head a
mild wonder that anybody was discontented with the world. In this
condition he intended to spend at least a couple of hours; after which
Susanna would drive him gently once round the Park, take him to the
House of Lords, wait twenty minutes, and then land him at the Imperium.
He lit a cigar and took up the _Economist_; it was not the moment for
anything exciting.
"A lady to see you, my Lord--on important business."
Public-domain text, read in full here on John Shaqi.
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