In Austria, Vienna has developed wonderfully since the days of Maria Theresa. The classic Parliament House by Hansen, in 1843, is one of the most delightful of its kind to be found anywhere; Schmitt’s Gothic town-hall is interesting, but cannot be said to be so successful in design; the Votive Church by Ferstel, in 1856 (also Gothic), the Opera House by Siccardsburg and Van der Nüll, with the City Theatre, an elaborate Renaissance structure, by Semper and Hasmauer, are all worthy of note. The University with the two Museum buildings, facing each other upon a small park, and other public buildings and residences along the Ring Strasse, are extremely satisfactory, in spite of the fact that stucco has been so extensively employed. Only a few years ago the municipality of Buda-Pesth offered immunity from taxation for fifteen years to all prospective builders, under certain conditions as to character and cost of buildings, with the result that the newer portion of the Hungarian capital was quickly occupied by buildings of the most desirable kind; the Parliament House, Opera, Cathedral, Technical School, and several club-houses and private residences, each testify to the spirit with which the citizens responded to this desire to beautify the city. Since the unification of Italy there has been considerable building in some of the principal cities, but very little of special importance. In Rome, the changes are more perceptible than elsewhere; the excavations of the Forum, the embankment of the Tiber, the widening and straightening of the Corso, and the opening of the Via Nationale and other streets, have destroyed comparatively little of the picturesque that was worth retaining, have brought to light many treasures of art, and, supplemented by the drainage of the Campagna by Prince Torlonia, have certainly made it a healthier city to live in. The monument to Victor Emmanuel, the National Museum, and the Braccia Nuovo of the Vatican Museum, are among the few public structures of interest; the many blocks of apartments and tenements are orderly and inoffensive, though brick and stucco are the materials used in their construction. Turin is the modern manufacturing city, while Florence preserves its mediæval air, and Venice dreams of the bygone days when the splendor of the Renaissance attracted the wealth, beauty, and talent of all Europe to the city of the Doges. Bologna and Genoa have each built in the suburbs a magnificent Campo Santo, or cemetery, with chapels, colonnades, and other accessories of architectural value; in Milan and Naples there are lofty glass-covered arcades through the centre of a block and connecting with cross streets, and the semi-circular colonnades of St. Francesco di Paolo, at Naples, surround a piazza which is the great public resort of summer evenings.