Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era: A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progressBoyd, James P. (James Penny)
History
Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era: A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progress
Boyd, James P. (James Penny)
Inventions; Progress
The Colonial style, as we now term it, was sufficiently elastic in
its adaptability to conform to the requirements of the merchant,
manufacturer, or mariner living at Salem, Boston, or Newport, as well
as to those of the planter living at Charleston or Savannah. There were
certain differences, more or less pronounced, peculiar to each section
and to each city, but all houses were alike in this respect,—there was
no gas or water, and the open fireplace was depended upon for heat.
In New England the dwelling-houses were placed near the ground; the
chimneys built in an interior cross wall, the kitchen, with its
accessories, as near to the dining-room as possible; the ceilings
were low, with cornices sometimes of plaster, sometimes of wood. The
roof,—which was often hipped and often of the gambrel shape, but
rarely a gable of even slope,—was always covered with shingles, which
covering was occasionally used also on the exterior walls.
In the South, some of the characteristics were the high basement, broad
piazzas, frequently at the level of the second as well as the first
story, and placed on the south and west sides; the chimney on outside
walls; the kitchen in a separate building, detached from the dwelling;
a broad hall through the centre, giving access to large rooms with high
ceilings; the roof quite as frequently hipped as gabled, and often—in
either case—a huge fanlight set in a low gable on the front for
ventilation of the attic; dormers were seldom used, as the attic was
not inhabited; the gambrel roof was uncommon; slate, and occasionally
tile or shingle, was used for roof covering.
Our first public buildings of any importance, and which show the
influence of contemporary work in England, were the White House,
designed by Hoban in 1792; the Capitol, begun by Dr. Thornton in
1793 and completed by B. H. Latrobe in 1830; the wings, containing
the present Senate and House of Representatives, were added later;
the dome, designed by Thomas U. Walter, was begun in 1858, but not
completed until 1873.
Our early Presidents took much interest in architecture, Washington
directing and criticising the planning of the Capitol and building
his own home at Mount Vernon, and Jefferson designing the dome and
colonnades of the University of Virginia, at Charlottesville, and his
own home at Monticello.
Massachusetts was the first State to erect its capitol,—the State
House in Boston, by Bulfinch, dating from 1795.
The City Hall of New York was our first work of unmistakable French
character, and shows the influence of the time of Louis XVI. It was
designed by Mangin, a Frenchman, begun in 1803, and completed in 1812.
Public-domain text, read in full here on John Shaqi.
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