Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era: A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progressBoyd, James P. (James Penny)
History
Triumphs and Wonders of the 19th Century: The True Mirror of a Phenomenal Era: A volume of original, entertaining and instructive historic and descriptive writings, showing the many and marvellous achievements which distinguish an hundred years of material, intellectual, social and moral progress
Boyd, James P. (James Penny)
Inventions; Progress
In the South and West there were virtually no hotels, and the belated
traveler applied for food and shelter for himself and his horse to the
nearest friendly farm.
These were the prevailing conditions when the _nouveau riche_ appeared
upon the scene; to him as citizen prosperity meant a better home, to
the congregation a larger church, to the community a new city hall or
court house, to the State a more expensive capitol.
While these buildings were being everywhere erected, in accordance
with the time honored fashions of construction and with elaborate
finish, the disastrous conflagrations of 1871 in Chicago, and of 1872
in Boston, called general attention to the necessity for more permanent
building; and the precautions now taken against similar occurrences
were the beginning of efforts toward methods of fireproof construction.
Granite, marble, and limestone were discarded in favor of sandstone,
brick, and terra cotta; iron beams carrying brick or concrete
(subsequently hollow terra cotta) arches were introduced, and metal
laths were substituted for the wooden strips to a certain degree; but
as these fires were mainly in the business districts, such reforms have
been confined almost exclusively to commercial architecture.
[Illustration: TRINITY CHURCH, NEW YORK.]
In 1873 the financial panic gave a check to many building operations,
but it was of comparatively short duration, for in 1876 all the other
nations of the earth were invited to unite with us at Philadelphia in
celebrating the centennial anniversary of our independence.
This was our first international Exposition, and it was not remarkable
that in our eagerness to learn, and in the enthusiasm of prosperity, we
sought inspiration from all those peoples who had brought their goods
for our inspection. At once we began to build Queen Anne cottages or
to remodel existing houses with many bays and towers, rooms set at all
angles, floors at different levels, walls of many materials, and roofs
of varying slopes, as well as to apply many tints and shades of color
within and without.
The summer hotel and summer cottage began to appear at the seashore,
in the mountains, and along the shores of the great lakes, and the
winter resorts of the Carolinas, Florida, and California to attract the
seekers for health and pleasure.
The interior decoration of our houses was the chief lesson of 1876, and
having once seen the European and Oriental hangings, draperies, rugs,
and bric-à-brac, we set about furnishing our rooms with them.
Public-domain text, read in full here on John Shaqi.
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