Except for the difference in material, never did Rome in the days of Augustan magnificence show buildings similar to those grouped about the Court of Honor. A Greek would surely have been proud to walk through the Peristyle, or to have visited the Art Galleries, and a Roman to have sauntered about the Terminal Station or the triumphal arches of the Manufactures Building. Right nobly was the Spanish aid to Columbus acknowledged in the design of Machinery Hall; but to France, whose generosity had trained so many of our architects, sculptors, and painters to do such things, was the greatest triumph in the unanimity with which they had all worked and the success which crowned their labors. The building occupied by the Federal Government was one of the few unworthy of its location or of the occasion. While the architecture of the people had been advancing steadily for fifty years, that provided by the Treasury Department in Washington had been quite as steadily retrograding. The Custom House, Boston; Sub-Treasury, New York; the Mint, in Philadelphia; the Treasury, Post Office, and Interior Department buildings, in Washington, have stood almost alone since the middle of the century. The few Gothic buildings referred to previously were honest and intelligent attempts to improve the quality of design for the government, but the politicians decided that artistic ability was not a prerequisite for the office of Supervising Architect. Since 1895, there has been some infusion of new life into the designing-room, and such work as the designs by William Martin Aiken, for the Buffalo and San Francisco Post Offices and Court Houses, the Denver and the Philadelphia Mints, and the New London Post Office, were about being materialized, when once again the politicians, who cared not a whit for one design more than another, interfered to oblige the government contractor. But the good seed had been planted, and the work of the present incumbent, James Knox Taylor, is likely to show a marked advance over that of many previous years. [Illustration: THE AMERICAN SURETY COMPANY’S BUILDING, NEW YORK.]