“Another feature of American literature is _comprehensiveness_. What it has lost in depth it has gained in breadth. Addressing a vast audience, it appeals to universal sympathies. In the Northern States, where comparatively few have leisure to write well, almost every man, woman, and child can read, and does read. Books are to be found in every log-hut, and public questions are discussed by every scavenger. During the Civil War, when the Lowell factory-girls were writing verses, the ‘Biglow Papers’ were being recited in every smithy. The consequence is, that, setting aside the newspapers, there is little that is sectional in the popular religion or literature; it exalts and despises no class, and almost wholly ignores the lines that in other countries divide the upper ten thousand and the lower ten million. Where manners make men, the people are proud of their peerage, but they blush for their boors. In the New World there are no ‘Grand Seigniors’ and no human vegetables; and if there are fewer giants, there are also fewer manikins. American poets recognize no essential distinction between the ‘village blacksmith’ and the ‘caste of Vere de Vere.’ Burns speaks for the one; Byron and Tennyson for the other; Longfellow, to the extent of his genius, for both. The same spirit which glorifies labor denounces every form of despotism but that of the multitude. Freed of the excesses due to wide license, and restrained by the good taste and culture of her nobler minds, we may anticipate for the literature of America, under the mellowing influences of time, an illustrious future.” In treating of newspaper literature, one cannot proceed without blending its origin, style and aims with the business enterprise that cultivates and supports it. And this may be done all the more cheerfully and properly, for the reason that there is no history more interesting than that of the evolution of the newspaper, and no consummation of mental and physical energy that places the nineteenth century in more vivid contrast with preceding centuries. [Illustration: HENRY W. LONGFELLOW.]