The century’s newspaper literature in the United States has been further characterized by the introduction of the comic feature. The comic newspaper came into being about the middle of the century, but did not strike a practical minded people with favor. It was not until the century was well rounded out that the cartoonist’s and joker’s art came into sufficient demand to make a comic newspaper a commercial success. Even now their number is limited to a very few that can boast of permanent success. The daily newspapers of the latter part of the century have not been dissuaded by earlier attempts to make illustrations a conspicuous feature. On the contrary, newspaper illustration has grown to the proportions of a special art, and all of the larger and better equipped dailies have organized departments into which are gathered photographs and engravings ready for reproduction as events demand. So the correspondent and reporter have added to knighthood of the pen that of the camera, and the scenic view has become an essential part of serious correspondence and sprightly reporting. An immense, imposing, and highly useful current of literature flows through the magazines, which have, by their number, beauty, and adaptation, come to be a distinguishing feature of the nineteenth century. This class of literature is usually called “Periodical,” and it embraces the magazines and reviews devoted to general literature and science, the class magazines devoted to particular branches of science, art, or industry, and the publications of schools and societies. Most periodicals published in the English language are monthlies. The same is true of those published on the continent of Europe, save that there the old-fashioned quarterly style is still much affected. Periodical literature found a beginning in France as early as 1665, in what is still the organ of the French Academy. The first English periodical was published in 1680, and was hardly more than a catalogue of books. The growth of the periodical or magazine proved to be very slow. Up to 1800, not more than eighty had found mentionable existence as scientific and technical periodicals, and only three as strictly literary periodicals. The advent of “The Edinburgh Review,” in 1802, gave great impetus to periodical literature in Great Britain, and the period from 1840 to 1850 was one of special development, but to be surpassed by that of 1860 to 1870, when the shilling magazine came into vogue. This class of literature also developed very rapidly in France during the century, Paris having 1381 periodicals of all kinds by 1890. There was an equally rapid development in Germany, Austria, and throughout the continent.