harbors treasures which the coming years may reveal. The worship of Demeter and the nature of the Eleusinian mysteries are much clearer since the successful excavations that were conducted at Eleusis. Tanagra is of interest because of the clay figurines, the manufacture of which was one of the specialties of ancient Bœotia. Those figures, prepared partly from religious motives, partly as a tribute to the dead, are valuable as illustrations of popular customs. Great credit is due to the American school for the thorough manner in which excavations have been conducted by it, and while the results are not as striking as in some other places, so fundamental a problem as the arrangement of the Greek theatre, which has been engaging the attention of archæologists for the past decade, has been brought nearer to its solution through excavations at Eretria. At Argos a head of Hera was discovered, which is now famous as one of the best specimens of the Polycletan school. No sketch of Greek archæology, however brief, would be complete without mention of a man who exhibited singular devotion and rare enthusiasm for the study of the past. Heinrich Schliemann, by dint of individual effort, laid bare the remains of pre-Grecian civilization at Mycenæ and Tiryns, and, prompted by a theory which for a long time provoked naught but ridicule, devoted many years and a large fortune to excavations at Hissarlik, on the coast of Asia Minor, which, he believed, was the scene of the Trojan War. At the latter place no less than nine cities, erected one above the ruins of the other, have been found, but the theory of Schliemann which identified the second layer with ancient Troy, afterward known to the Greeks as Ilium, has been shown to be false. It is the sixth layer that represents the ruins of Homer’s Troy. At the same time, it must be remembered that the Homeric poems, while based upon historic events, are not history, and the attempt to test their supposed historical accuracy by the results of excavations is now regarded by Greek students as futile and unscientific. But this view in no way diminishes the credit due to Schliemann, who not only did more to stir up popular interest in ancient Greece than any other man living, but has illuminated the early chapters of Greek history which were almost unknown to the scholars of this century. It now appears that Phœnician traders, settling on the coast of Asia Minor and in districts adjacent to the islands of the Ægean sea and harbors, which furnished a refuge for their ships, gave the first impulse to Greek art, and, although they were outdistanced by their apt pupils, the traces of Phœnician influence remain in Greek architecture, and more particularly in Greek cults, down to the latest times. Apart from the direct bearings of the excavations conducted in various parts of Greece upon the development of Greek art, the most important results of the work consist in the vast increase of material for Greek history,