Triumphs of Invention and Discovery in Art and ScienceFyfe, J. Hamilton (James Hamilton)
History
Triumphs of Invention and Discovery in Art and Science
Fyfe, J. Hamilton (James Hamilton)
Inventions -- History; Inventors; Technology -- England -- 19th century
Jacquard's apparatus is, strictly speaking, not a loom, but an appendage
to one. It is intended to elevate or depress, by bars, the warp threads
for the reception of the shuttle, the patterns being regulated by means
of bands of punched cards acting on needles with loops and eyes. At
first applied to silk weaving only, the use of this machine has since
been extended to the bobbin net, carpets, and other fancy manufactures.
By its agency the richest and most complex designs, which could formerly
be achieved only by the most skilful labourers, with a painful degree of
labour, and at an exorbitant cost, are now produced with facility by the
most ordinary workmen, and at the most moderate price.
Of late years the silk manufacture has greatly improved, both in
character and extent. The products of British looms exhibited at the
Great Exhibition of 1862 vied with those of the Continent. Every year
upwards of L2,300,000 worth of silk is brought to England; and the silk
manufacture engages some L55,000,000 of capital, and employs eleven to
twelve hundred thousand of our population.
The Potter's Art.
I.--LUCA DELLA ROBBIA.
II.--BERNARD PALISSY.
III.--JOSIAH WEDGWOOD.
The Potter's Art.
I.--LUCA DELLA ROBBIA.
There can be little doubt as to the antiquity of the pottery
manufacture. It probably had its origin in that of bricks, which at a
very early date men made for purposes of construction; but it is not
impossible that he had previously contrived to fabricate the commoner
articles of domestic economy, such as pans and dishes, of sun-dried
clay.
Bricks, as everybody knows, are fashioned out of a coarse clay, such as
we meet with in very numerous localities. After mixing up with water a
kind of paste out of these clayey earths, the moulder works up the paste
into the shape of bricks, and they are then exposed to the heat of the
kiln. Sometimes it was thought sufficient to dry these bricks in the
rays of a burning sun; but, so dried, their solidity is very
inconsiderable. Baked bricks owe their redness of colour to the oxide of
iron which they contain. They are either moulded with the hand or cast
in rectangular frames of wood, dusted with sand. To bake them, they are
piled up in huge stacks, in which intervals are left for storing and
kindling the fuel. They are also baked in kilns.
The commoner pottery wares are manufactured with the coarse impure
clays, which are allowed to rot in trenches for several years to render
them more plastic. Flower-pots, sugar-pans, vases, and other and more
graceful articles, are moulded on the potter's wheel.
Public-domain text, read in full here on John Shaqi.
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