Aboriginal Australians -- Government relations; Dunk Island (Qld.); Natural history -- Australia -- Queensland
Then it was that the favourite and belle of the camp, the fascinating
creature whose magnificent condition bestowed privileges undreamt of
by other ladies, became conspicuous. Her costume had evidently been
designed for a lady not divinely tall, but considerably less of flesh
than the wearer. Maria did not actually overflow, though perilously near
that point. Surely buttons were never designed to resist such strain.
Coloured ladies generally sit meekly among the audience and chatter
and maintain the drum-beats, lacking which no corroboree could be
successful. During the intervals they may emboss pictures in the
impressionable sand with cunning forefinger and giggle, for the subjects
are often quaint. Maria, sure of her privileges, waddled out from the
flame-obscuring dusk, turned an ample back upon the double ring of boys,
and played her part as one of the giddy and industrious wild-fowls. Her
fingers scratched the air and her feet the dust with a realism not to
be excelled by the most gifted of the boys, while her half grunt, half
chuckle, exactly imitative of the social garrulity of the turkey, gave
artistic finish to a scene which would have been absolutely delusive
if feathers had been in fashion. Maria, a fleer at mere ponderosity,
skipped and whisked from left to right with fay-like airiness of foot
until a thrill of delight went through the camp. The frolicsome turkeys
scratched and scattered leaves that were not, and gobbled and clucked,
until, panting and perspiring, all rose, and with a simultaneous
shout scampered for the screen, while the master of ceremonies shouted
“Finis!” The music ceased, the flames faded, and substantial Maria
dissolved in the gloom.
SOOSIE
“No legend! Well, let us invent one.”--SCOTT.
A crinkled fist, fumbling and twisting, protruded from a rent in a
dilapidated dilly-bag. It had done so with infinite feebleness for many
an hour in unavailing protest against the woes and weight of life, for
faint scratch smeared with blood denoted the friction of tender skin
against the broken edges of the cane-made bag.
A scarcely audible, inhuman wail--pathetically staccato--told of
unceasing pain. Whomsoever the bag contained was enduring martyrdom.
“That fella, him no good. Close up finis. B'mbi me plant'm along scrub.”
Thus spoke the pleasant-faced gin who passed with the dilly-bag along a
narrow aisle of the jungle, intent upon ridding herself of a vexatious
encumbrance, and at the same time performing the rite of unrighteous
burial.
Squirming in dirt was a naked infant-black, foul, and but a few days
old.
“Mother belonga that fella him dead--finis. That fella, him no good. Him
sing out all a time. More better tchuck'm away.”
Public-domain text, read in full here on John Shaqi.
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