At this juncture a faint ghostly voice was heard rising from the
basement, where the cook had long been buried, to the third-story
banister, where they were talking. "Mrs. Douce, Mrs. Douce!" And Mrs.
Douce, giving him an arch look, observed, with a dry laugh: "I don't
know what you're plotting." Then she obeyed the voice.
Whether this talk was the cause, or whether it was owing to the interest
which Miss Natalia Douce's behavior with regard to the military trunk
excited, Barrington's attention was more closely directed to her now,
and he observed in her from day to day a deepening melancholy. She
became listless, and fell into reveries. She played more than usual on
the piano in the dowdy parlor, behind the bilious-looking but
aristocratic vase; but there was less rumbling and twittering in her
music than formerly, and there were more pensive strains. She played
"Make me no Gaudy Chaplet" and nocturnes by sundry composers; she sang
"The Three Fishers." All this was the more interesting, in that there
was no apparent personal application in the music she choose, since no
one had insisted upon her accepting a gaudy chaplet, and she was not
wedded as yet to a fisherman. But one evening Barrington, coming down a
few minutes before dinner, entered the parlor as she was wrenching from
the key-board the last phrases of a funeral march in the "Songs without
Words." He listened attentively until she had finished; then, after a
moment's reflection, called out from the arm-chair he had taken: "But
why do you play such mournful things, nowadays, Miss Natalia, especially
before dinner? No wonder you have no appetite."
Natalia didn't answer, but got up in silence and made for the door. On
the way, however, she turned toward him with a look of indignation and a
terrible flash of the eye. The next instant she was gone. She did not
appear at dinner.
"What do you suppose is the matter with your niece?" Barrington blandly
asked the aunt, at table. "I made a casual remark about her playing,
just now, and she left the room without a word."
Mrs. Douce did not answer the question until the next day, when she came
to Barrington's room. "I've found out all about it, now," she said. "The
idea of asking me what was the matter, when you had been speaking to her
in that way!"
"Good Lord!" cried Harrington, nettled. "What way? It was innocent
enough; and I really don't like those tunes."
"After all that has happened!" continued the landlady, casting up her
eyes.
"Well, _what_ has happened?" he demanded.
"Why, your thinking of going to the war--and--and Natalia's feeling
badly, and--well, you understand, though I can't explain myself, you've
put me out so with your abruptness."
"It's always my abruptness or my suddenness," complained Barrington.
"No; I _don't_ understand you."
Public-domain text, read in full here on John Shaqi.
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