one a strange, new interest in the real person, exhibited under subtly
novel circumstances; and he began to think it would be pleasant to
follow up his imaginary devotion to Natalia with a real passion.
X.
In proportion as this feeling of the major's grew, Mrs. Magill tired of
seeing him perpetually going through the farce with Natalia, and coming
out as her tried and trusted lover. She resolved to hasten the date of
the performance, perhaps also hoping, furtively, that Natalia wouldn't
be ready, and would therefore fail disgracefully.
On his part, Barrington, to whom the new partiality for Natalia had made
the rehearsals increasingly pleasant, found also that the conflict
between this and his promise to Mrs. Magill brought in an element of
painfulness. He became exceedingly blue, and even treated the widow
morosely.
"Zadie," said she, one evening, as they walked home from the drill-room,
"what ails you? I thought you were going to get so much amusement out of
these theatricals."
"I wish I'd never gone into them!" he answered, gloomily.
"How unkind to say that, after the condition we made about them!" This
allusion didn't improve his temper.
"I don't forget my promise, though I _am_ sorry," he said, dubiously.
"Sorry about the promise, you mean?" asked the widow, with an archness
that failed for want of a street-lamp to light it up.
"You wouldn't like it if I should says yes," he retorted.
"Oh, if you're sorry," she exclaimed, haughtily, "we'll give up
the"--here the major became attentive and eager--"the theatricals
altogether!" she concluded.
"The theatricals," muttered he, disappointed; "I thought you were going
to say--But no! We'll play the farce out, and, when it's done, we'll
have the wedding. Does that satisfy you?"
"It's very wrong of you to talk of it that way," said Mrs. Magill, too
sagacious to lose her temper. "But I know you'll regret it." And so,
holding him firmly by the arm, she carried him off to the door, where
they parted.
XI.
Public-domain text, read in full here on John Shaqi.
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