During the war the Renos had become notorious as bounty-jumpers; and at its close, with a fine scorn for the ways of commonplace industry, these fierce-hearted, dashing young fellows, all well-built, handsome boys, cast about for further means of excitement and opportunities to make an easy living. Beginning their operations in a small way with house-breaking and store robberies, they soon proved themselves so reckless in their daring, so fertile in expedients, so successful in their coups, that they quickly extended their field until, in the early part of 1866, they had placed a wide region under contribution, setting all forms of law at defiance. John Reno and Frank Reno, the elder brothers, were at this time the dominating spirits of the band, and they soon associated with them several of the most skilful and notorious counterfeiters and safe-burglars in the country, among these being Peter McCartney, James and Robert Rittenhouse, George McKay, John Dean, _alias_ "California Nelse," and William Hopkins. The band soon came to be named with the greatest dread and awe, good citizens fearing to speak a word of censure, lest swift punishment be visited upon them. The Reno influence made itself felt even in local politics, corrupt officials being elected at the instigation of the outlaws, so that their conviction became practically impossible. The Renos, toward the end of 1866, began a series of train robberies which were carried out with such perfection of organization, such amazing coolness, and such uniform success as to attract national attention. The first of these robberies took place on the Ohio and Mississippi Railroad, being accomplished by only four men, Frank and John Reno, assisted by William Sparks and Charles Gerroll. Other train robberies followed in quick succession, the same methods being used in each, with the same immunity from capture, so that people in this region would say to one another, quite as a matter of course, "The Reno boys got away with another train yesterday."