Passing the church, it occurred to me to go and look inside. Since the war had begun we had hardly had any opportunity of going into the village churches we had passed. Some of them were closed because the parish priests had left for the army, or because the village had been abandoned to the enemy. Others had served as marks for the artillery, and now stood in the middle of the villages, ruins loftier and more pitiable than the rest. The church of Pévy seemed to be clinging to the side of the hill, and was approached by a narrow stairway of greyish stone, climbing up between moss-grown walls. I first passed through the modest little churchyard, with its humble tombs half hidden in the grass, and read some of the simple inscriptions: "Here lies ... Here lies ... Pray for him...." The narrow pathway leading to the porch was almost hidden in the turf, and as I walked up it my boots brushed the drops from the grass. The damp seemed to be getting into my bones, for it was still drizzling--a fine persistent drizzle. Behind me the village was in mist; the roofs and the maze of chimney tops were hardly distinguishable. Passing through a low, dark porch, I opened the heavy door studded with iron nails, and entered the church, and at once experienced a feeling of relaxation, of comfort and repose. How touching the little sanctuary of Pévy seemed to me in its humble simplicity! Imagine a kind of hall with bare walls, the vault supported by two rows of thick pillars. The narrow Gothic windows hardly allowed the grey light to enter. There were no horrible cheap modern stained windows, but a multitude of small white rectangular leaded panes. All this was simple and worn; but to me it seemed to breathe a noble and touching poetry. And what charmed me above all was that the pale light did not reveal walls covered with the horrible colour-wash we are accustomed to see in most of our village churches. This church was an old one, a very old one. Its style was not very well defined, for it had no doubt been built, damaged, destroyed, rebuilt and repaired by many different generations. But those who preserved it to the present day had avoided the lamentable plastering which disfigures so many others. The walls were built with fine large stones, on which time had left its melancholy impress. There was no grotesque painting on them to mar their quiet beauty, and the dim light that filtered through at that early hour gave them a vague soft glow. No pictures or ornaments disfigured the walls. The "Stations of the Cross" were the only adornment, and they were so simple and childish in their execution that they were no doubt the work of some rustic artist. And even this added a touching note to a harmonious whole. III--"I KNELT--THE PRIEST WAS SAYING MASS"