"The whole family turns out--all but the Old Woman an' Dorcas. Dorcas
is my eldest. They're t'home gettin' the supper. A brave supper
you'll see, an' the preacher along with it. I dunno if you 're saved.
. . . No? P'r'aps not, at your age. I was never one for hurryin' the
children; bruisin' the tender flax, as you might say. . . But you
mustn't be upset if he _alloods_ to you. . . . A very powerful man, when
you're used to 'en. So you've a message for Miss Sally? Know her?"
The boy had to confess that he did not.
"Curious!" the farmer commented. "She's one of the old sort, is Miss
Sally. But you can't get over to Culvercoombe to-night: to-morrow
we'll see. . . . What's your name, by the way?"
"Arthur Miles."
"And your sister's?"
"She's called Tilda; but she--she isn't really--"
Farmer Tossell was not listening.
"You'll have to sleep with us to-night. Oh," he went on,
misinterpreting the boy's glance behind him (he was really seeking for
Tilda, to explain), "there's always room for one or two more at Inistow:
that's what you might call our motto; and the Old Woman dotes on
children. She ought to--havin' six of her own, besides nine of my first
family."
The wagon had reached a short break in the ascent--you might liken it to
a staircase landing--where the road ran level for about fifty yards
before taking breath, so to speak, for another stiff climb. Here a
by-road led off to the right, and here they turned aside.
The road ran parallel, or roughly parallel, with the line of the cliffs,
between low and wind-trimmed hedges, over which, from his perch beside
Farmer Tossell, the boy looked down across a narrow slope of pasture to
the sea. The fog had lifted. Away and a little above the horizon the
sun was dropping like a ball of orange flame in a haze of gold; and
nearer, to the right of the sunset, lay the Island as if asleep on the
waves, with glints of fire on the pointed cliffs at its western end, and
all the rest a lilac shadow resting on the luminous water.
He gazed, and still gazed. He heard no longer, though the farmer was
speaking. There was indeed some excuse, for the young men and girls
had started another hymn, and were singing with all their voices.
But he did not even listen.
The road rose and dipped. . . . They came to a white-painted gate, which
one of the young men sprang down to open. The last glow of the sunset
fell on its bars, and their outline repeated itself in dazzling streaks
on the sky as the horses wheeled to the left through the gateway, and
the boy turned for a last look. But Holmness had disappeared. A brown
ridge of stubble hid it, edged and powdered with golden light.
Public-domain text, read in full here on John Shaqi.
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