He opened the door almost noiselessly and stood by the bed, holding the
lamp high.
But noiselessly though Sir Miles had come, the boy was awake. Nor was
it in his nature, being awake, to feign sleep. He looked up, blinking a
little, but with no fear in his gentle eyes.
His father had not counted on this. He felt an absurd bashfulness tying
his tongue. At length he struggled to say--
"'Thought I'd make sure you were comfortable. That's all."
"Oh, yes--thank you. Comfortable and--and--only just thinking a bit."
"We'll have a long talk to-morrow. That girl--she's a good sort, eh?"
"Tilda? . . . Why, of course, she did it _all_. She's the best in the
world!"
EPILOGUE
The time is seven years later--seven years and a half, rather; the
season, spring; the hour, eight in the morning; and the place, a corner
of Culvercoombe, where Miss Sally's terraced garden slopes to meet the
wild woodland through an old orchard billowy overhead with pink and
white blossom and sheeted underfoot with blue-bells. At the foot of the
orchard, and on the very edge of the woodland, lies a small enclosure,
where from the head of the slope you catch sight, between the apple
trees, of a number of white stones glimmering; but your eyes rest rather
on the figure of a girl who has just left the enclosure, and is mounting
the slope with a spade on her shoulder.
You watch her, yourself invisible, while she approaches. You might gaze
until she has passed, and yet not recognise her for Tilda. She wears a
coat and skirt of grey homespun, fashioned for country wear yet
faultless in cut, the skirt short enough to reveal a pair of trim ankles
cased in shooting-gaiters. Beneath her grey shooting-cap, also of
homespun, her hair falls in two broad bands over the brows, and is
gathered up at the back of the head in a plain Grecian knot. By the
brows, if you had remarked them in days gone by, when neither you nor
she gave a second thought to her looks, you might know her again; or
perhaps by the poise of the chin, and a touch of decision in the eyes.
In all else the child has vanished, and given place to this good-looking
girl, with a spring in her gait and a glow on her cheek that tell of
clean country nurture.
Public-domain text, read in full here on John Shaqi.
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