Now, if you were to look more closely, you might perceive a small stain
of green on the front of the homespun skirt otherwise so trim, and might
jump to the erroneous conclusion that before leaving the enclosure she
had knelt to say a prayer over the snapping of this last tie with her
old disreputable life. It is not precisely Christian, perhaps, to pray
over a dog's grave; but I am pretty sure that Parson Chichester, who has
made some tentative openings towards preparing Tilda for Confirmation,
would overlook the irregularity, and even welcome it as a foreshadowing
of grace. But Parson Chichester is a discerning man, as well as an
honest; and for some reason, although Tilda has long passed the normal
age to be prepared for that rite, he has forborne to press her as yet
even to be baptised. It will all come in time, he hopes; but he has a
queer soul to deal with.
--A queer soul, and (as he perceives) a self-respecting one. If she
come to it, she will come in her own time. So let it be confessed, as a
secret she would be extremely annoyed to hear revealed, that she did
indeed kneel five minutes since, but with no thought of religion; to try
rather, over 'Dolph's grave, if she could bend her body back in the old
acrobatic trick.
She could not, of course. She had known that she could not even as--
with a glance around her to make sure she was unobserved--she had made
the effort. Time had taken away the old Tilda with the old 'Dolph.
She was a girl grown, a girl with limbs firmed by outdoor sports and
country living. And she had learnt much--so much, that to have learnt
it she had necessarily forgotten much. You or I, meeting her this
morning for the first time, had made no doubt of her being a young lady
of rather exceptional breeding.
She looked back to the spot where 'Dolph rested among dogs of loftiest
race. She knew that Sir Elphinstone and Miss Sally were discussing her
while they rode, and she could hear two words Sir Elphinstone let fall.
She repeated them to herself--"Nobody's child."
She did not remember that she had once thanked her gods for it.
The rural postman carried a brass cowhorn, and made a practice of
sounding it as he mounted the road leading to Culvercoombe. Its note,
sounding through the clear morning air, aroused Tilda from her brown
study, and she ran lightly up the slope to catch him on the upper
terrace.
He handed her the day's mail--a dozen letters or more, and among them
one addressed to her. In the whole world was but one handwriting that
ever came for her; recognisable always, though with each post it grew
firmer in character.
Public-domain text, read in full here on John Shaqi.
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