"Shall we?" asked Tilda, considerably astonished. "But _why,_ in the
world?"
"Because . . . Didn't you hear Mr. Mortimer say that Shakespeare was
born there?"
"I did," said Tilda. "'Ow's that goin' to 'elp us?"
"I don't know," the boy confessed, dragging a book from his pocket.
It was a ragged copy of the "Globe" Shakespeare, lacking its covers and
smeared with dirt and blacking. "But he knows all about the Island."
"So _that,_" said Tilda, "is what 'urt me in the night! It made my ribs
all sore. I fergot the book, an' thought you must be sufferin' from
some kind o' growth; but didn't like to arsk till I knew yer better--
deformed folks bein' mostly touchy about it. When you stripped jus'
now, an' nothin' the matter, it puzzled me more'n ever. 'Ere--show me
where 'e tells about it," she demanded, taking the volume and opening it
on her lap.
"It's all at the beginning, and he calls it _The Tempest_ . . . But it
will take you ever so long to find out. There was a ship wrecked, with
a wicked duke on board, and he thought his son was drowned, but really
it was all brought about by magic . . . In the book it's mostly names
and speeches, and you only pick up here and there what the Island was
like."
"But what makes you sure it's _your_ Island?"
"You wait till we get to Stratford and ask him," said the boy, nodding,
bright and confident.
"Arsk'oo? Shakespeare? Sakes alive, child! Don't yer know 'e's been
dead these 'undreds o' years?"
"Has he?" His face fell, but after a moment grew cheerful again.
"But that needn't matter. There must be heaps of people left to tell us
about it."
Tilda closed the book. She had learnt a little, but had been
disappointed in more. She felt desperately sorry for the child with
this craze in his head about an Island. She had a suspicion that the
memories he related were all mixed up with fictions from the play.
As she put it to herself, "'E don't mean to kid, but 'e can't 'elp
'isself." But there was one question she had omitted and must yet ask.
"You said, jus' now, you used to play by the sea, somewheres beneath
that line o' white houses you was tellin' of. Well, you couldn' a-got
down there on your own, at that age--could yer, now? W'ich means you
must a-been carried."
"I suppose so."
"No supposin' about it. You _must_ a-been. Wot's more, you talked
about the waves comin' in an' not reachin'--'us,' you said. 'Oo was it
with yer? Think now! Man or woman?"
"A woman," he answered after a pause, knitting his brows.
"Wot like?"
Then happened something for which--so quiet his words had been--Tilda
was in no wise prepared. He turned his eyes on her, and they were as
the eyes of a child born blind; blank, yet they sought; tortured, yet
dry of tears. His head was tilted back, and a little sideways. So may
you see an infant's as he nuzzles to his mother's breast. The two hands
seemed to grope for a moment, then fell limp at his side.
Public-domain text, read in full here on John Shaqi.
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