"Oh yes, I see," said every one of his companions--especially Lawrence
Newt, who did see, indeed, but saw only a head of Hope Wayne in a mist.
The Endymion, the mountain, the Greece, the antiquity, were all vigorous
assumptions of the artist. The study for his great picture was simply an
unfinished portrait of Hope Wayne.
Aunt Winnifred, who sometimes came into her nephew's studio, saw the
study one day, and exclaimed, sorrowfully,
"Oh, Arthur! Arthur!"
The young man, who was busily mixing colors upon his pallet, and humming,
as he smoked, "'Tis my delight of a shiny night," turned in dismay,
thinking his aunt was suddenly ill.
"My dear aunt!" and he laid down his pallet and ran toward her.
She was sitting in an armchair holding the study. Arthur stopped.
"My dear Arthur, now I understand all."
Arthur Merlin was confused. He, perhaps, suspected that his picture of
Diana resembled a certain young lady. But how should Aunt Winnifred know
it, who, as he supposed, had never seen her? Besides, he felt it was a
disagreeable thing, when he was and had been in love with a young lady
for a long time, to have his aunt say that she understood all about it.
How could she understand all about it? What right has any body to say
that she understands all about it? He asked himself the petulant question
because he was very sure that he himself did not by any means understand
all about it.
"What do you understand, Aunt Winnifred?" demanded Arthur, in a resolute
and defiant tone, as if he were fully prepared to deny every thing he was
about to hear.
"Yes, yes," continued Aunt Winnifred, musingly, and in a tone of profound
sadness, as she still held and contemplated the picture--"yes; yes! I
see, I see!"
Arthur was quite vexed.
"Now really my dear aunt," said he, remonstratingly, "you must be aware
that it is not becoming in a woman like you to go on in this way. You
ought to explain what you mean," he added, decidedly.
"Well, my poor boy, the hotter you get the surer I am. Don't you see?"
Mr. Merlin did not seem to be in the least pacified by this reply. It
was, therefore, in an indignant tone that he answered:
"Aunt Winnifred, it is not kind in you to come up here and make me lose
my time and temper, while you sit there coolly and talk in infernal
parables!"
"Infernal parables!" cried the lady, in a tone of surprise and horror.
"Oh, Arthur, Arthur! that comes of not going to church. Infernal
parables! My soul and body, what an awful idea!"
The painter smiled. The contest was too utterly futile. He went slowly
back to his easel, and, after a few soothing puffs, began again to rub
his colors upon the pallet. He was humming carelessly once more, and
putting his brush to the canvas before him, when his aunt remarked,
"There, Arthur! now that you are reasonable, I'll tell you what I meant."
The artist looked over his shoulder and laughed.
"Go on, dear aunt."
"I understand now why you don't go to our church."
Public-domain text, read in full here on John Shaqi.
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