Nor is the painter conscious of any gaping, unhealed wound that
periodically bleeds. There are nights in mid-summer when, leaning from
his window, he thinks of many things, and among others, of a picture he
once painted of the legend of Latmos. He smiles to think that, at the
time, he half persuaded himself that he might be Endymion, yet the
feeling with which he smiles is of pity and wonder rather than of regret.
At Thanksgiving dinners, at Christmas parties, at New Year and Twelfth
Night festivals, no guest so gay and useful, so inventive and delightful,
as Arthur Merlin the painter. Just as Aunt Winnifred has abandoned her
theory it has become true, and all the girls do seem to love the man who
respects them as much as the younger men do with whom they nightly dance
in winter. He romps with the children, has a perfectly regulated and
triumphant sliding-scale of gifts and attentions; and only this
Christmas, although he is now--well, Aunt Winnifred has locked up the
Family Bible and begins to talk of Arthur as a young man--yet only
this Christmas, at Lawrence Newt's family party, at which, so nimbly
did they run round, it was almost impossible to compute the actual
number of Newt, and Wynne, and Bennet children--Arthur Merlin brought
in, during the evening, with an air of profound secrecy, something
covered with a large handkerchief. Of course there could be no peace,
and no blindman's-buff, no stage-coach, no twirling the platter, and no
snap-dragon, until the mystery was revealed; The whole crowd of short
frocks and trowsers, and bright ribbons, and eyes, and curls, swarmed
around the painter until he displayed a green branch.
A pair of tiny feet, carrying a pair of great blue eyes and a head of
golden curls, scampered across the floor to Lawrence Newt.
"Oh, papa, what is that green thing with little berries on it?"
"That's a misletoe bough, little Hope."
"But, papa, what's it for?"
The painter was already telling the children what it was for; and when he
had hung it up over the folding-doors such a bubbling chorus of laughter
and merry shrieks followed, there was such a dragging of little girls in
white muslin by little boys in blue velvet, and such smacking, and
kissing, and happy confusion, that the little Hope's curiosity was
immediately relieved. Of all the ingenious inventions of their friend
the painter, this of the misletoe was certainly the most transcendent.
Public-domain text, read in full here on John Shaqi.
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