Death -- Fiction; France -- Fiction; Villages -- France -- Fiction
Marc, who felt surprised, inquired why they had previously remained
silent; but he could obtain no answer from them; they looked at him
distrustfully as if they had to defend themselves from him.
'Fernand Bongard!' Mignot continued.
Again nobody answered. Fernand, the peasant farmer's son, a sturdy boy
of ten, sat there huddled up, leaning on his elbows, with a stupefied
expression on his face. He seemed to be sleeping with his eyes open.
But one of his schoolfellows gave him a nudge, and then in a scared way
he shouted 'Present!'
This time none of the others dared to laugh, for they feared Fernand's
fists. And, silence continuing, Mignot was able to call the last name:
'Sébastien Milhomme!'
Marc had already recognised Madame Alexandre's son. Eight years of age,
with a face all gentleness, refinement, and intelligence, he sat at
the first desk on the right hand. And the young man smiled at the lad;
charmed by his candid eyes, in which he fancied he could detect the
early sparkle of a young mind, such as he desired to awaken.
'Present!' Sébastien answered in a clear gay voice, which to Marc
seemed like music compared with all the full or mocking voices of the
others.
The calling of the register was finished; and at a sign from Mignot all
the boys now rose for prayers. Since Simon's departure, Méchain had
allowed prayers to be said at the beginning and the end of each class,
yielding, in this respect, to the stealthy persuasion of Mademoiselle
Rouzaire, who, citing her own practice as an example, asserted that the
fear of hell greatly helped to keep her pupils quiet. Moreover, parents
were pleased with the prayer-saying, and Mauraisin, the Elementary
Inspector, regarded it with favour, although it in no wise figured in
the regulations. That morning, however, Marc swiftly intervened, saying
in his quiet and resolute way: 'Sit down, boys. You are not here to say
prayers. You may say them at home if your fathers and mothers desire
it.'
Public-domain text, read in full here on John Shaqi.
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