The wish—which ages have not yet subdued
In man—to have no master save his mood.
BYRON
YOU come across a queer medley of races, languages, and nationalities in
the narrow streets of Pera, somewhat trying to the nerves in its
promiscuous incongruity. Almost with a shock you see the name of
Pericles over a grocer’s shop, Demosthenes over that of a tailor or a
barber, and Socrates or Euripides staring you in the face as the name of
a bootmaker. Enter a café or brasserie and you find Germans, Austrians,
French, Greeks, Italians, and Armenians at one and the same table
playing dominoes or tric-trac. One of such a group, to whom I had
mentioned that I should go mad if I lived for long in such kaleidoscopic
surroundings, retorted: “We are accustomed to it here. Indeed, I should
feel depressed unless I could express myself in half a dozen languages
before I went to bed. When I get home to-night, I shall converse in
Hungarian with my father-in-law, in German with my wife, in Greek with
my children, and in English with their governess. And I shall probably
wind up by addressing my servants in Roumanian or Turkish.”
I have known a Levantine civil pasha married to an Austrian lady whose
three-year-old son would prattle in English, German, Greek, and Turkish.
Nor am I quite sure that this list of the prodigy’s accomplishments is
complete. Such polyglot proficiency as is to be met with among the
Levantine element is calculated to impress the monolingual Anglo-Saxon;
but in the long run it is not without its drawbacks. Never was the
saying, “Qui trop embrasse mal étreint,” more applicable than here.
Listening to superficial, aimless small talk, defectively conveyed in
half a dozen different languages, is apt at last to irritate even the
most hardened and indulgent listener. For it goes without saying that
these are spoken indifferently, and when put to paper written
ungrammatically. According to Continental standards of mental culture,
the level of the Levantine is not a high one. The artisan class in this
as in other respects are, I should say, decidedly superior to their
social betters, and lead a healthier life generally. You may meet
individual cases of excellent musicians in Pera society; but the
gramophone, not to say the French horn, and third-rate French music-hall
entertainments more correctly indicate the average taste of the
community. I found it impossible to obtain the songs of Schumann or
Franz, and only a poor selection of the works of other great composers
was to be had in any of the music-shops of Pera. Whatever taste for
belles-lettres may exist partakes of a second-rate French order. The
lack of a definite nationality acts unfavourably in the direction of the
cultivation of intellectual pursuits, with the possible exception of the
Greek colony, which maintains a touch with the literature of ancient
Hellas.
Public-domain text, read in full here on John Shaqi.
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