Immediately on the left was another white structure, with a richly
ornamented glass door in the centre. This was the Sultan’s own kiosk,
where he was much during the day and where he granted audiences. Rarely
was a soldier, or indeed any other person, to be seen there, for the
military guard-house was hidden from view farther away to the right.
There a solitary soldier stood on guard, and the chances were that a
stray officer would be sitting on a camp-stool close by smoking a
cigarette. But no challenge came as you passed on to enter another
unpretentious two-storied bungalow type of building. A number of dirty
goloshes in the hall denoted that the official residing here must be a
personage who had many callers and was much sought after, and no wonder!
It was the office of the notorious Izzet Pasha, the Sultan’s Second
Secretary, his favourite, and reputed to be the most influential
personage in the Turkish Empire. You walk upstairs and take a seat in
his room, where already a number of persons are awaiting his
arrival—indeed, several rooms are full of callers waiting to see him.
A cat moves along the corridor rubbing its sides against the wall.
Nobody thinks of disturbing it. Izzet Pasha’s little son is playing
about the room. The white buildings of Constantinople are seen in the
distance from the window, indistinct in the mist rising from the blue
waters of the Bosphorus on a sunny morning. A few pigeons coo and play
on the leads immediately under the window. Undisturbed, they too are
apparently safe from intrusion. In the garden immediately in front some
gardeners are peacefully at work. In the room itself a Turk takes a
small rug which had lain rolled up in a corner and places it on the
floor so that at the further end it is supposed to point in the
direction of Mecca. Thereon he murmurs his prayers. Only his lips move,
at times almost convulsively. He kneels down, bends backwards and
forwards, repeatedly bringing his forehead down into contact with the
carpet; he folds his hands on his breast, then rises upright and
stretches them out with palms upward. This continues for fifteen or
twenty minutes, and nobody takes the least notice of him or his
proceedings. Then he picks up the rug, folds it carelessly, throws it
into a corner of the room, and begins talking unconcernedly with those
present. “Il a fait ses prières, il a fait son devoir,” and within five
minutes he is as blithe as the rest of the company.
Public-domain text, read in full here on John Shaqi.
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