Some of the parasites of the Palace used to be on the look-out to be
sent by the Sultan “en mission spéciale” on some quixotic errand, at
times of a rather undignified nature. Lavish expenses were allowed in
the shape of a little bag of gold, and if successful there were chances
besides of subsequent preferment. The case of a Field-Marshal who was
sent to Berlin to engage a cook for the Sultan has occupied the Berlin
courts of law since the deposition of Abdul Hamid. I recollect an
engineer of the Hedjas Railway returning from Budapest, whither he had
been sent on a similar errand on behalf of a pasha. The latter
introduced this official to me with the words: “Il est Juif de race,
Allemand par nationalité, et Turc par son emploi.”
An amusing feature of life at the Yildiz Palace was the arrival of a
certain military element on the scene whenever there was a chance of
baksheesh or preferment. The poem in Heine’s “Buch der Lieder” comes to
mind in which he depicts himself as being a god and distributing largess
broadcast, causing champagne to flow in the streets:
The poets to such festive treats
Pour in a happy flutter!
The ensigns and the subalterns
Lick clean both street and gutter.
The ensigns and the subalterns—
Now aren’t these fellows clever?—
Feel sure a miracle like this
Can’t hope to last for ever!
There was something of the comic-opera order, not to say of Christmas
pantomime, in this feature of life at the Palace. The transformation
scene in “Cinderella” is not more kaleidoscopic in its changes. The
obscure little pill-man, once happy at home in his strenuous vocation,
passing his evenings in a beer-house, is suddenly called to
Constantinople and driven about in a carriage and pair, dressed in a
Turkish uniform “made in Germany,” with a jewelled bauble dangling from
his collar. Just as suddenly the carriage and its black horses are gone,
and the worthy doctor has to appeal to the law courts of Berlin for the
salary owing to him by the dethroned Sultan.
Bobadil Pasha, Bombastes, Swashbuckler Pasha, Boule-qui-Roule Pasha (a
French importation who was said to have owed his successful career to
the sirenical attractions of Madame Boule-qui-Roule), Birra (beer) Pasha
from the Fatherland—one and all of them enter upon the scene, play their
little parts, and disappear through the trap-door exactly as in a
pantomime. Alexander of Battenberg, the Prince of Bulgaria, is presented
with an Arab steed by the Sultan, but goes away without it, for Marshal
Bombastes, the Master of the Horse, who was entrusted with the task of
its delivery, had lost or otherwise disposed of it. There were some
truculent personages among these gentry.
Public-domain text, read in full here on John Shaqi.
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