"Life is a great, a noble task,
When we fulfill our duty.
To work, that should be all we ask,
And seek the living beauty.
We know not whence we come, or where
Our dim pathway is leading,
Whether we tread on lilies fair,
Or trample love-lies-bleeding.
But we must onward go and up,
Nor stop to question whither.
E'en if we drink the bitter cup,
And fall at last, to wither.
"P. S. I haven't got the last verse very good yet, but I think the
second one is pretty. You know 'love-lies-bleeding' is a flower, but
it sounds allegorical the way I have put it in. Don't you think so?
You know what all the crosses stand for."
* * * * *
Eleanor's fifteenth year was on the whole the least eventful year of
her life, though not by any means the least happy. She throve
exceedingly, and gained the freedom and poise of movement and
spontaneity that result from properly balanced periods of work and
play and healthful exercise. From being rather small of her age she
developed into a tall slender creature, inherently graceful and erect,
with a small, delicate head set flower-wise on a slim white neck.
Gertrude never tired of modeling that lovely contour, but Eleanor
herself was quite unconscious of her natural advantages. She preferred
the snappy-eyed, stocky, ringleted type of beauty, and spent many
unhappy quarters of an hour wishing she were pretty according to the
inexorable ideals of Harmon.
She spent her vacation at David's apartment in charge of Mademoiselle,
though the latter part of the summer she went to Colhassett, quite by
herself according to her own desire, and spent a month with her
grandfather, now in charge of Albertina's aunt. She found Albertina
grown into a huge girl, sunk in depths of sloth and snobbishness, who
plied her with endless questions concerning life in the gilded circles
of New York society. Eleanor found her disgusting and yet possessed of
that vague fascination that the assumption of prerogative often
carries with it.
Public-domain text, read in full here on John Shaqi.
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