Turner's Sketches and DrawingsFinberg, A. J. (Alexander Joseph)
History
Turner's Sketches and Drawings
Finberg, A. J. (Alexander Joseph)
Turner, J. M. W. (Joseph Mallord William), 1775-1851
Of course we cannot hope to grasp the whole difference that has taken
place in this second version of the design. But here are two drawings
made by the same hand, within a short space of time of each other, of
the same size and the same subject, yet one is obviously a work of
genius, and the other is as tame and lifeless as its companion is vivid,
energetic, and full-blooded. The comparison is worth making, not,
indeed, that there is the slightest hope that any of us may learn from
it how to work such miracles, but because it will help to impress upon
us the importance of the form or ‘style’ of a work of art, as opposed to
the objects it represents,--the importance of ‘mere technique’; it will
also give us some insight into the real nature of artistic
expression,--will show us how far removed the whole process is from that
pious and passive reproduction of what is ‘given’ in sense-perception
which plays such a large and dangerous part in current practice. Let us
see therefore what we can discover.
In the first place it is evident that in the second version of the
subject the design has been what artists call ‘pulled together.’ The
foreground boat on the left (it is of course on the right in the plate)
has been made, if not actually bigger, yet more important as a mass, by
the addition of the sails of a second boat immediately behind it. The
apparent height of the boat has been increased by dropping the height of
the man standing in the cart in the water beside it, and by making the
horses, carts and men relatively smaller. The castle in the distance has
been shifted nearer to the boat, the height of the two masts of the boat
in the middle distance which abut on to the castle have been reduced, so
that the masts and sails of its neighbour on the right seem higher and
bigger. More has been made of the men, boats, etc., at the foot of the
low hills which appear on the right of the drawing, and the foreground
group of men and horses has been shoved nearer to the figure of the man
just entering the water, and, to make the connection firmer, the cask
and grappling irons on the ground have been carefully added.
Public-domain text, read in full here on John Shaqi.
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